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dotfiles/system/.local/share/fonts/PragmataProZ_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataProZ_liga_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_B_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_B_liga_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_I_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_I_liga_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_R_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_R_liga_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_Z_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/PragmataPro_Mono_Z_liga_09.ttf create mode 100644 dotfiles/system/.local/share/fonts/all-the-icons.ttf create mode 100644 dotfiles/system/.local/share/thequestionconcerningtechnology.txt (limited to 'dotfiles/system/.local/share') diff --git a/dotfiles/system/.local/share/applications/dwm.desktop b/dotfiles/system/.local/share/applications/dwm.desktop new file mode 100644 index 0000000..ba3bd00 --- /dev/null +++ b/dotfiles/system/.local/share/applications/dwm.desktop @@ -0,0 +1,7 @@ +[Desktop Entry] +Encoding=UTF-8 +Name=dwm +Comment=It's fucking DWM, asshole. +Exec=startdwm +Icon=dwm +Type=XSession \ No newline at end of file diff --git a/dotfiles/system/.local/share/applications/emacsclient-mail.desktop b/dotfiles/system/.local/share/applications/emacsclient-mail.desktop new file mode 100644 index 0000000..6efcf61 --- /dev/null +++ b/dotfiles/system/.local/share/applications/emacsclient-mail.desktop @@ -0,0 +1,20 @@ +[Desktop Entry] +Categories=Network;Email; +Comment=Emacs is my mail client +Exec=sh -c "exec emacsclient --alternate-editor= --display=\\"\\$DISPLAY\\" --eval \\\\(message-mailto\\\\ \\\\\\"%u\\\\\\"\\\\)" +Icon=emacs +Name=Emacs (Mail, Client) +MimeType=x-scheme-handler/mailto; +NoDisplay=true +Terminal=false +Type=Application +Keywords=emacsclient; +Actions=new-window;new-instance; + +[Desktop Action new-window] +Name=New Window +Exec=/usr/bin/emacsclient --alternate-editor= --create-frame --eval "(message-mailto \\"%u\\")" + +[Desktop Action new-instance] +Name=New Instance +Exec=emacs -f message-mailto %u diff --git a/dotfiles/system/.local/share/applications/file.desktop b/dotfiles/system/.local/share/applications/file.desktop new file mode 100644 index 0000000..5df1633 --- /dev/null +++ b/dotfiles/system/.local/share/applications/file.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=File Manager +Exec=/usr/local/bin/st -e lfub %u diff --git a/dotfiles/system/.local/share/applications/img.desktop b/dotfiles/system/.local/share/applications/img.desktop new file mode 100644 index 0000000..42aa81e --- /dev/null +++ b/dotfiles/system/.local/share/applications/img.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=Image viewer +Exec=/usr/bin/sxiv -a %f diff --git a/dotfiles/system/.local/share/applications/mail.desktop b/dotfiles/system/.local/share/applications/mail.desktop new file mode 100644 index 0000000..d24aea2 --- /dev/null +++ b/dotfiles/system/.local/share/applications/mail.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=Mail +Exec=/usr/local/bin/st -e neomutt %u diff --git a/dotfiles/system/.local/share/applications/mimeapps.list b/dotfiles/system/.local/share/applications/mimeapps.list new file mode 100644 index 0000000..e69de29 diff --git a/dotfiles/system/.local/share/applications/org-protocol.desktop b/dotfiles/system/.local/share/applications/org-protocol.desktop new file mode 100644 index 0000000..acdb8ad --- /dev/null +++ b/dotfiles/system/.local/share/applications/org-protocol.desktop @@ -0,0 +1,11 @@ +[Desktop Entry] +Name=org-protocol +Comment=Intercept calls from emacsclient to trigger custom actions +Categories=Other; +Keywords=org-protocol; +Icon=emacs +Type=Application +Exec=emacsclient -- %u +Terminal=false +StartupWMClass=Emacs +MimeType=x-scheme-handler/org-protocol; diff --git a/dotfiles/system/.local/share/applications/pdf.desktop b/dotfiles/system/.local/share/applications/pdf.desktop new file mode 100644 index 0000000..8c38677 --- /dev/null +++ b/dotfiles/system/.local/share/applications/pdf.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=PDF reader +Exec=/usr/bin/zathura %u diff --git a/dotfiles/system/.local/share/applications/text.desktop b/dotfiles/system/.local/share/applications/text.desktop new file mode 100644 index 0000000..41ee05f --- /dev/null +++ b/dotfiles/system/.local/share/applications/text.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=Text editor +Exec=/usr/local/bin/st -e nvim %u diff --git a/dotfiles/system/.local/share/applications/torrent.desktop b/dotfiles/system/.local/share/applications/torrent.desktop new file mode 100644 index 0000000..f6d28d9 --- /dev/null +++ b/dotfiles/system/.local/share/applications/torrent.desktop @@ -0,0 +1,4 @@ +[Desktop Entry] +Type=Application +Name=Torrent +Exec=/usr/bin/env transadd %U diff --git a/dotfiles/system/.local/share/audacious/Skins/2a03.wsz b/dotfiles/system/.local/share/audacious/Skins/2a03.wsz new file mode 100644 index 0000000..551a492 Binary files /dev/null and b/dotfiles/system/.local/share/audacious/Skins/2a03.wsz differ diff --git a/dotfiles/system/.local/share/audacious/Skins/Adidas2-3.zip b/dotfiles/system/.local/share/audacious/Skins/Adidas2-3.zip new file mode 100644 index 0000000..4d7bb1a Binary files /dev/null and b/dotfiles/system/.local/share/audacious/Skins/Adidas2-3.zip differ diff --git a/dotfiles/system/.local/share/audacious/Skins/Blac.wsz b/dotfiles/system/.local/share/audacious/Skins/Blac.wsz new file mode 100644 index 0000000..8585b33 Binary files /dev/null and b/dotfiles/system/.local/share/audacious/Skins/Blac.wsz differ diff --git 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b/dotfiles/system/.local/share/emoji @@ -0,0 +1,1593 @@ +๐Ÿ˜€ grinning face; 1F600; +๐Ÿ˜ƒ grinning face with big eyes; 1F603; +๐Ÿ˜„ grinning face with smiling eyes; 1F604; +๐Ÿ˜ beaming face with smiling eyes; 1F601; +๐Ÿ˜† grinning squinting face; 1F606; +๐Ÿ˜… grinning face with sweat; 1F605; +๐Ÿคฃ rolling on the floor laughing; 1F923; +๐Ÿ˜‚ face with tears of joy; 1F602; +๐Ÿ™‚ slightly smiling face; 1F642; +๐Ÿ™ƒ upside-down face; 1F643; +๐Ÿ˜‰ winking face; 1F609; +๐Ÿ˜Š smiling face with smiling eyes; 1F60A; +๐Ÿ˜‡ smiling face with halo; 1F607; +๐Ÿฅฐ smiling face with hearts; 1F970; +๐Ÿ˜ smiling face with heart-eyes; 1F60D; +๐Ÿคฉ star-struck; 1F929; +๐Ÿ˜˜ face blowing a kiss; 1F618; +๐Ÿ˜— kissing face; 1F617; +โ˜บ๏ธ smiling face; 263A FE0F; +๐Ÿ˜š kissing face with closed eyes; 1F61A; +๐Ÿ˜™ kissing face with smiling eyes; 1F619; +๐Ÿฅฒ smiling face with tear; 1F972; +๐Ÿ˜‹ face savoring food; 1F60B; +๐Ÿ˜› face with tongue; 1F61B; +๐Ÿ˜œ winking face with tongue; 1F61C; +๐Ÿคช zany face; 1F92A; +๐Ÿ˜ squinting face with tongue; 1F61D; +๐Ÿค‘ money-mouth face; 1F911; +๐Ÿค— hugging face; 1F917; +๐Ÿคญ face with hand over mouth; 1F92D; +๐Ÿคซ shushing face; 1F92B; +๐Ÿค” thinking face; 1F914; +๐Ÿค zipper-mouth face; 1F910; +๐Ÿคจ face with raised eyebrow; 1F928; +๐Ÿ˜ neutral face; 1F610; +๐Ÿ˜‘ expressionless face; 1F611; +๐Ÿ˜ถ face without mouth; 1F636; +๐Ÿ˜ smirking face; 1F60F; +๐Ÿ˜’ unamused face; 1F612; +๐Ÿ™„ face with rolling eyes; 1F644; +๐Ÿ˜ฌ grimacing face; 1F62C; +๐Ÿคฅ lying face; 1F925; +๐Ÿ˜Œ relieved face; 1F60C; +๐Ÿ˜” pensive face; 1F614; +๐Ÿ˜ช sleepy face; 1F62A; +๐Ÿคค drooling face; 1F924; +๐Ÿ˜ด sleeping face; 1F634; +๐Ÿ˜ท face with medical mask; 1F637; +๐Ÿค’ face with thermometer; 1F912; +๐Ÿค• face with head-bandage; 1F915; +๐Ÿคข nauseated face; 1F922; +๐Ÿคฎ face vomiting; 1F92E; +๐Ÿคง sneezing face; 1F927; +๐Ÿฅต hot face; 1F975; +๐Ÿฅถ cold face; 1F976; +๐Ÿฅด woozy face; 1F974; +๐Ÿ˜ต dizzy face; 1F635; +๐Ÿคฏ exploding head; 1F92F; +๐Ÿค  cowboy hat face; 1F920; +๐Ÿฅณ partying face; 1F973; +๐Ÿฅธ disguised face; 1F978; +๐Ÿ˜Ž smiling face with sunglasses; 1F60E; +๐Ÿค“ nerd face; 1F913; +๐Ÿง face with monocle; 1F9D0; +๐Ÿ˜• confused face; 1F615; +๐Ÿ˜Ÿ worried face; 1F61F; +๐Ÿ™ slightly frowning face; 1F641; +โ˜น๏ธ frowning face; 2639 FE0F; +๐Ÿ˜ฎ face with open mouth; 1F62E; +๐Ÿ˜ฏ hushed face; 1F62F; +๐Ÿ˜ฒ astonished face; 1F632; +๐Ÿ˜ณ flushed face; 1F633; +๐Ÿฅบ pleading face; 1F97A; +๐Ÿ˜ฆ frowning face with open mouth; 1F626; +๐Ÿ˜ง anguished face; 1F627; +๐Ÿ˜จ fearful face; 1F628; +๐Ÿ˜ฐ anxious face with sweat; 1F630; +๐Ÿ˜ฅ sad but relieved face; 1F625; +๐Ÿ˜ข crying face; 1F622; +๐Ÿ˜ญ loudly crying face; 1F62D; +๐Ÿ˜ฑ face screaming in fear; 1F631; +๐Ÿ˜– confounded face; 1F616; +๐Ÿ˜ฃ persevering face; 1F623; +๐Ÿ˜ž disappointed face; 1F61E; +๐Ÿ˜“ downcast face with sweat; 1F613; +๐Ÿ˜ฉ weary face; 1F629; +๐Ÿ˜ซ tired face; 1F62B; +๐Ÿฅฑ yawning face; 1F971; +๐Ÿ˜ค face with steam from nose; 1F624; +๐Ÿ˜ก pouting face; 1F621; +๐Ÿ˜  angry face; 1F620; +๐Ÿคฌ face with symbols on mouth; 1F92C; +๐Ÿ˜ˆ smiling face with horns; 1F608; +๐Ÿ‘ฟ angry face with horns; 1F47F; +๐Ÿ’€ skull; 1F480; +โ˜ ๏ธ skull and crossbones; 2620 FE0F; +๐Ÿ’ฉ pile of poo; 1F4A9; +๐Ÿคก clown face; 1F921; +๐Ÿ‘น ogre; 1F479; +๐Ÿ‘บ goblin; 1F47A; +๐Ÿ‘ป ghost; 1F47B; +๐Ÿ‘ฝ alien; 1F47D; +๐Ÿ‘พ alien monster; 1F47E; +๐Ÿค– robot; 1F916; +๐Ÿ˜บ grinning cat; 1F63A; +๐Ÿ˜ธ grinning cat with smiling eyes; 1F638; +๐Ÿ˜น cat with tears of joy; 1F639; +๐Ÿ˜ป smiling cat with heart-eyes; 1F63B; +๐Ÿ˜ผ cat with wry smile; 1F63C; +๐Ÿ˜ฝ kissing cat; 1F63D; +๐Ÿ™€ weary cat; 1F640; +๐Ÿ˜ฟ crying cat; 1F63F; +๐Ÿ˜พ pouting cat; 1F63E; +๐Ÿ™ˆ see-no-evil monkey; 1F648; +๐Ÿ™‰ hear-no-evil monkey; 1F649; +๐Ÿ™Š speak-no-evil monkey; 1F64A; +๐Ÿ’‹ kiss mark; 1F48B; +๐Ÿ’Œ love letter; 1F48C; +๐Ÿ’˜ heart with arrow; 1F498; +๐Ÿ’ heart with ribbon; 1F49D; +๐Ÿ’– sparkling heart; 1F496; +๐Ÿ’— growing heart; 1F497; +๐Ÿ’“ beating heart; 1F493; +๐Ÿ’ž revolving hearts; 1F49E; +๐Ÿ’• two hearts; 1F495; +๐Ÿ’Ÿ heart decoration; 1F49F; +โฃ๏ธ heart exclamation; 2763 FE0F; +๐Ÿ’” broken heart; 1F494; +โค๏ธ red heart; 2764 FE0F; +๐Ÿงก orange heart; 1F9E1; +๐Ÿ’› yellow heart; 1F49B; +๐Ÿ’š green heart; 1F49A; +๐Ÿ’™ blue heart; 1F499; +๐Ÿ’œ purple heart; 1F49C; +๐ŸคŽ brown heart; 1F90E; +๐Ÿ–ค black heart; 1F5A4; +๐Ÿค white heart; 1F90D; +๐Ÿ’ฏ hundred points; 1F4AF; +๐Ÿ’ข anger symbol; 1F4A2; +๐Ÿ’ฅ collision; 1F4A5; +๐Ÿ’ซ dizzy; 1F4AB; +๐Ÿ’ฆ sweat droplets; 1F4A6; +๐Ÿ’จ dashing away; 1F4A8; +๐Ÿ•ณ๏ธ hole; 1F573 FE0F; +๐Ÿ’ฃ bomb; 1F4A3; +๐Ÿ’ฌ speech balloon; 1F4AC; +๐Ÿ—จ๏ธ left speech bubble; 1F5E8 FE0F; +๐Ÿ—ฏ๏ธ right anger bubble; 1F5EF FE0F; +๐Ÿ’ญ thought balloon; 1F4AD; +๐Ÿ’ค zzz; 1F4A4; +๐Ÿ‘‹ waving hand; 1F44B; +๐Ÿคš raised back of hand; 1F91A; +๐Ÿ–๏ธ hand with fingers splayed; 1F590 FE0F; +โœ‹ raised hand; 270B; +๐Ÿ–– vulcan salute; 1F596; +๐Ÿ‘Œ OK hand; 1F44C; +๐ŸคŒ pinched fingers; 1F90C; +๐Ÿค pinching hand; 1F90F; +โœŒ๏ธ victory hand; 270C FE0F; +๐Ÿคž crossed fingers; 1F91E; +๐ŸคŸ love-you gesture; 1F91F; +๐Ÿค˜ sign of the horns; 1F918; +๐Ÿค™ call me hand; 1F919; +๐Ÿ‘ˆ backhand index pointing left; 1F448; +๐Ÿ‘‰ backhand index pointing right; 1F449; +๐Ÿ‘† backhand index pointing up; 1F446; +๐Ÿ–• middle finger; 1F595; +๐Ÿ‘‡ backhand index pointing down; 1F447; +โ˜๏ธ index pointing up; 261D FE0F; +๐Ÿ‘ thumbs up; 1F44D; +๐Ÿ‘Ž thumbs down; 1F44E; +โœŠ raised fist; 270A; +๐Ÿ‘Š oncoming fist; 1F44A; +๐Ÿค› left-facing fist; 1F91B; +๐Ÿคœ right-facing fist; 1F91C; +๐Ÿ‘ clapping hands; 1F44F; +๐Ÿ™Œ raising hands; 1F64C; +๐Ÿ‘ open hands; 1F450; +๐Ÿคฒ palms up together; 1F932; +๐Ÿค handshake; 1F91D; +๐Ÿ™ folded hands; 1F64F; +โœ๏ธ writing hand; 270D FE0F; +๐Ÿ’… nail polish; 1F485; +๐Ÿคณ selfie; 1F933; +๐Ÿ’ช flexed biceps; 1F4AA; +๐Ÿฆพ mechanical arm; 1F9BE; +๐Ÿฆฟ mechanical leg; 1F9BF; +๐Ÿฆต leg; 1F9B5; +๐Ÿฆถ foot; 1F9B6; +๐Ÿ‘‚ ear; 1F442; +๐Ÿฆป ear with hearing aid; 1F9BB; +๐Ÿ‘ƒ nose; 1F443; +๐Ÿง  brain; 1F9E0; +๐Ÿซ€ anatomical heart; 1FAC0; +๐Ÿซ lungs; 1FAC1; +๐Ÿฆท tooth; 1F9B7; +๐Ÿฆด bone; 1F9B4; +๐Ÿ‘€ eyes; 1F440; +๐Ÿ‘๏ธ eye; 1F441 FE0F; +๐Ÿ‘… tongue; 1F445; +๐Ÿ‘„ mouth; 1F444; +๐Ÿ‘ถ baby; 1F476; +๐Ÿง’ child; 1F9D2; +๐Ÿ‘ฆ boy; 1F466; +๐Ÿ‘ง girl; 1F467; +๐Ÿง‘ person; 1F9D1; +๐Ÿ‘ฑ person: blond hair; 1F471; +๐Ÿ‘จ man; 1F468; +๐Ÿง” man: beard; 1F9D4; +๐Ÿ‘ฉ woman; 1F469; +๐Ÿง“ older person; 1F9D3; +๐Ÿ‘ด old man; 1F474; +๐Ÿ‘ต old woman; 1F475; +๐Ÿ™ person frowning; 1F64D; +๐Ÿ™Ž person pouting; 1F64E; +๐Ÿ™… person gesturing NO; 1F645; +๐Ÿ™† person gesturing OK; 1F646; +๐Ÿ’ person tipping hand; 1F481; +๐Ÿ™‹ person raising hand; 1F64B; +๐Ÿง deaf person; 1F9CF; +๐Ÿ™‡ person bowing; 1F647; +๐Ÿคฆ person facepalming; 1F926; +๐Ÿคท person shrugging; 1F937; +๐Ÿ‘ฎ police officer; 1F46E; +๐Ÿ•ต๏ธ detective; 1F575 FE0F; +๐Ÿ’‚ guard; 1F482; +๐Ÿฅท ninja; 1F977; +๐Ÿ‘ท construction worker; 1F477; +๐Ÿคด prince; 1F934; +๐Ÿ‘ธ princess; 1F478; +๐Ÿ‘ณ person wearing turban; 1F473; +๐Ÿ‘ฒ person with skullcap; 1F472; +๐Ÿง• woman with headscarf; 1F9D5; +๐Ÿคต person in tuxedo; 1F935; +๐Ÿ‘ฐ person with veil; 1F470; +๐Ÿคฐ pregnant woman; 1F930; +๐Ÿคฑ breast-feeding; 1F931; +๐Ÿ‘ผ baby angel; 1F47C; +๐ŸŽ… Santa Claus; 1F385; +๐Ÿคถ Mrs. Claus; 1F936; +๐Ÿฆธ superhero; 1F9B8; +๐Ÿฆน supervillain; 1F9B9; +๐Ÿง™ mage; 1F9D9; +๐Ÿงš fairy; 1F9DA; +๐Ÿง› vampire; 1F9DB; +๐Ÿงœ merperson; 1F9DC; +๐Ÿง elf; 1F9DD; +๐Ÿงž genie; 1F9DE; +๐ŸงŸ zombie; 1F9DF; +๐Ÿ’† person getting massage; 1F486; +๐Ÿ’‡ person getting haircut; 1F487; +๐Ÿšถ person walking; 1F6B6; +๐Ÿง person standing; 1F9CD; +๐ŸงŽ person kneeling; 1F9CE; +๐Ÿƒ person running; 1F3C3; +๐Ÿ’ƒ woman dancing; 1F483; +๐Ÿ•บ man dancing; 1F57A; +๐Ÿ•ด๏ธ person in suit levitating; 1F574 FE0F; +๐Ÿ‘ฏ people with bunny ears; 1F46F; +๐Ÿง– person in steamy room; 1F9D6; +๐Ÿง— person climbing; 1F9D7; +๐Ÿคบ person fencing; 1F93A; +๐Ÿ‡ horse racing; 1F3C7; +โ›ท๏ธ skier; 26F7 FE0F; +๐Ÿ‚ snowboarder; 1F3C2; +๐ŸŒ๏ธ person golfing; 1F3CC FE0F; +๐Ÿ„ person surfing; 1F3C4; +๐Ÿšฃ person rowing boat; 1F6A3; +๐ŸŠ person swimming; 1F3CA; +โ›น๏ธ person bouncing ball; 26F9 FE0F; +๐Ÿ‹๏ธ person lifting weights; 1F3CB FE0F; +๐Ÿšด person biking; 1F6B4; +๐Ÿšต person mountain biking; 1F6B5; +๐Ÿคธ person cartwheeling; 1F938; +๐Ÿคผ people wrestling; 1F93C; +๐Ÿคฝ person playing water polo; 1F93D; +๐Ÿคพ person playing handball; 1F93E; +๐Ÿคน person juggling; 1F939; +๐Ÿง˜ person in lotus position; 1F9D8; +๐Ÿ›€ person taking bath; 1F6C0; +๐Ÿ›Œ person in bed; 1F6CC; +๐Ÿ‘ญ women holding hands; 1F46D; +๐Ÿ‘ซ woman and man holding hands; 1F46B; +๐Ÿ‘ฌ men holding hands; 1F46C; +๐Ÿ’ kiss; 1F48F; +๐Ÿ’‘ couple with heart; 1F491; +๐Ÿ‘ช family; 1F46A; +๐Ÿ—ฃ๏ธ speaking head; 1F5E3 FE0F; +๐Ÿ‘ค bust in silhouette; 1F464; +๐Ÿ‘ฅ busts in silhouette; 1F465; +๐Ÿซ‚ people hugging; 1FAC2; +๐Ÿ‘ฃ footprints; 1F463; +๐Ÿต monkey face; 1F435; +๐Ÿ’ monkey; 1F412; +๐Ÿฆ gorilla; 1F98D; +๐Ÿฆง orangutan; 1F9A7; +๐Ÿถ dog face; 1F436; +๐Ÿ• dog; 1F415; +๐Ÿฆฎ guide dog; 1F9AE; +๐Ÿฉ poodle; 1F429; +๐Ÿบ wolf; 1F43A; +๐ŸฆŠ fox; 1F98A; +๐Ÿฆ raccoon; 1F99D; +๐Ÿฑ cat face; 1F431; +๐Ÿˆ cat; 1F408; +๐Ÿฆ lion; 1F981; +๐Ÿฏ tiger face; 1F42F; +๐Ÿ… tiger; 1F405; +๐Ÿ† leopard; 1F406; +๐Ÿด horse face; 1F434; +๐ŸŽ horse; 1F40E; +๐Ÿฆ„ unicorn; 1F984; +๐Ÿฆ“ zebra; 1F993; +๐ŸฆŒ deer; 1F98C; +๐Ÿฆฌ bison; 1F9AC; +๐Ÿฎ cow face; 1F42E; +๐Ÿ‚ ox; 1F402; +๐Ÿƒ water buffalo; 1F403; +๐Ÿ„ cow; 1F404; +๐Ÿท pig face; 1F437; +๐Ÿ– pig; 1F416; +๐Ÿ— boar; 1F417; +๐Ÿฝ pig nose; 1F43D; +๐Ÿ ram; 1F40F; +๐Ÿ‘ ewe; 1F411; +๐Ÿ goat; 1F410; +๐Ÿช camel; 1F42A; +๐Ÿซ two-hump camel; 1F42B; +๐Ÿฆ™ llama; 1F999; +๐Ÿฆ’ giraffe; 1F992; +๐Ÿ˜ elephant; 1F418; +๐Ÿฆฃ mammoth; 1F9A3; +๐Ÿฆ rhinoceros; 1F98F; +๐Ÿฆ› hippopotamus; 1F99B; +๐Ÿญ mouse face; 1F42D; +๐Ÿ mouse; 1F401; +๐Ÿ€ rat; 1F400; +๐Ÿน hamster; 1F439; +๐Ÿฐ rabbit face; 1F430; +๐Ÿ‡ rabbit; 1F407; +๐Ÿฟ๏ธ chipmunk; 1F43F FE0F; +๐Ÿฆซ beaver; 1F9AB; +๐Ÿฆ” hedgehog; 1F994; +๐Ÿฆ‡ bat; 1F987; +๐Ÿป bear; 1F43B; +๐Ÿจ koala; 1F428; +๐Ÿผ panda; 1F43C; +๐Ÿฆฅ sloth; 1F9A5; +๐Ÿฆฆ otter; 1F9A6; +๐Ÿฆจ skunk; 1F9A8; +๐Ÿฆ˜ kangaroo; 1F998; +๐Ÿฆก badger; 1F9A1; +๐Ÿพ paw prints; 1F43E; +๐Ÿฆƒ turkey; 1F983; +๐Ÿ” chicken; 1F414; +๐Ÿ“ rooster; 1F413; +๐Ÿฃ hatching chick; 1F423; +๐Ÿค baby chick; 1F424; +๐Ÿฅ front-facing baby chick; 1F425; +๐Ÿฆ bird; 1F426; +๐Ÿง penguin; 1F427; +๐Ÿ•Š๏ธ dove; 1F54A FE0F; +๐Ÿฆ… eagle; 1F985; +๐Ÿฆ† duck; 1F986; +๐Ÿฆข swan; 1F9A2; +๐Ÿฆ‰ owl; 1F989; +๐Ÿฆค dodo; 1F9A4; +๐Ÿชถ feather; 1FAB6; +๐Ÿฆฉ flamingo; 1F9A9; +๐Ÿฆš peacock; 1F99A; +๐Ÿฆœ parrot; 1F99C; +๐Ÿธ frog; 1F438; +๐ŸŠ crocodile; 1F40A; +๐Ÿข turtle; 1F422; +๐ŸฆŽ lizard; 1F98E; +๐Ÿ snake; 1F40D; +๐Ÿฒ dragon face; 1F432; +๐Ÿ‰ dragon; 1F409; +๐Ÿฆ• sauropod; 1F995; +๐Ÿฆ– T-Rex; 1F996; +๐Ÿณ spouting whale; 1F433; +๐Ÿ‹ whale; 1F40B; +๐Ÿฌ dolphin; 1F42C; +๐Ÿฆญ seal; 1F9AD; +๐ŸŸ fish; 1F41F; +๐Ÿ  tropical fish; 1F420; +๐Ÿก blowfish; 1F421; +๐Ÿฆˆ shark; 1F988; +๐Ÿ™ octopus; 1F419; +๐Ÿš spiral shell; 1F41A; +๐ŸŒ snail; 1F40C; +๐Ÿฆ‹ butterfly; 1F98B; +๐Ÿ› bug; 1F41B; +๐Ÿœ ant; 1F41C; +๐Ÿ honeybee; 1F41D; +๐Ÿชฒ beetle; 1FAB2; +๐Ÿž lady beetle; 1F41E; +๐Ÿฆ— cricket; 1F997; +๐Ÿชณ cockroach; 1FAB3; +๐Ÿ•ท๏ธ spider; 1F577 FE0F; +๐Ÿ•ธ๏ธ spider web; 1F578 FE0F; +๐Ÿฆ‚ scorpion; 1F982; +๐ŸฆŸ mosquito; 1F99F; +๐Ÿชฐ fly; 1FAB0; +๐Ÿชฑ worm; 1FAB1; +๐Ÿฆ  microbe; 1F9A0; +๐Ÿ’ bouquet; 1F490; +๐ŸŒธ cherry blossom; 1F338; +๐Ÿ’ฎ white flower; 1F4AE; +๐Ÿต๏ธ rosette; 1F3F5 FE0F; +๐ŸŒน rose; 1F339; +๐Ÿฅ€ wilted flower; 1F940; +๐ŸŒบ hibiscus; 1F33A; +๐ŸŒป sunflower; 1F33B; +๐ŸŒผ blossom; 1F33C; +๐ŸŒท tulip; 1F337; +๐ŸŒฑ seedling; 1F331; +๐Ÿชด potted plant; 1FAB4; +๐ŸŒฒ evergreen tree; 1F332; +๐ŸŒณ deciduous tree; 1F333; +๐ŸŒด palm tree; 1F334; +๐ŸŒต cactus; 1F335; +๐ŸŒพ sheaf of rice; 1F33E; +๐ŸŒฟ herb; 1F33F; +โ˜˜๏ธ shamrock; 2618 FE0F; +๐Ÿ€ four leaf clover; 1F340; +๐Ÿ maple leaf; 1F341; +๐Ÿ‚ fallen leaf; 1F342; +๐Ÿƒ leaf fluttering in wind; 1F343; +๐Ÿ‡ grapes; 1F347; +๐Ÿˆ melon; 1F348; +๐Ÿ‰ watermelon; 1F349; +๐ŸŠ tangerine; 1F34A; +๐Ÿ‹ lemon; 1F34B; +๐ŸŒ banana; 1F34C; +๐Ÿ pineapple; 1F34D; +๐Ÿฅญ mango; 1F96D; +๐ŸŽ red apple; 1F34E; +๐Ÿ green apple; 1F34F; +๐Ÿ pear; 1F350; +๐Ÿ‘ peach; 1F351; +๐Ÿ’ cherries; 1F352; +๐Ÿ“ strawberry; 1F353; +๐Ÿซ blueberries; 1FAD0; +๐Ÿฅ kiwi fruit; 1F95D; +๐Ÿ… tomato; 1F345; +๐Ÿซ’ olive; 1FAD2; +๐Ÿฅฅ coconut; 1F965; +๐Ÿฅ‘ avocado; 1F951; +๐Ÿ† eggplant; 1F346; +๐Ÿฅ” potato; 1F954; +๐Ÿฅ• carrot; 1F955; +๐ŸŒฝ ear of corn; 1F33D; +๐ŸŒถ๏ธ hot pepper; 1F336 FE0F; +๐Ÿซ‘ bell pepper; 1FAD1; +๐Ÿฅ’ cucumber; 1F952; +๐Ÿฅฌ leafy green; 1F96C; +๐Ÿฅฆ broccoli; 1F966; +๐Ÿง„ garlic; 1F9C4; +๐Ÿง… onion; 1F9C5; +๐Ÿ„ mushroom; 1F344; +๐Ÿฅœ peanuts; 1F95C; +๐ŸŒฐ chestnut; 1F330; +๐Ÿž bread; 1F35E; +๐Ÿฅ croissant; 1F950; +๐Ÿฅ– baguette bread; 1F956; +๐Ÿซ“ flatbread; 1FAD3; +๐Ÿฅจ pretzel; 1F968; +๐Ÿฅฏ bagel; 1F96F; +๐Ÿฅž pancakes; 1F95E; +๐Ÿง‡ waffle; 1F9C7; +๐Ÿง€ cheese wedge; 1F9C0; +๐Ÿ– meat on bone; 1F356; +๐Ÿ— poultry leg; 1F357; +๐Ÿฅฉ cut of meat; 1F969; +๐Ÿฅ“ bacon; 1F953; +๐Ÿ” hamburger; 1F354; +๐ŸŸ french fries; 1F35F; +๐Ÿ• pizza; 1F355; +๐ŸŒญ hot dog; 1F32D; +๐Ÿฅช sandwich; 1F96A; +๐ŸŒฎ taco; 1F32E; +๐ŸŒฏ burrito; 1F32F; +๐Ÿซ” tamale; 1FAD4; +๐Ÿฅ™ stuffed flatbread; 1F959; +๐Ÿง† falafel; 1F9C6; +๐Ÿฅš egg; 1F95A; +๐Ÿณ cooking; 1F373; +๐Ÿฅ˜ shallow pan of food; 1F958; +๐Ÿฒ pot of food; 1F372; +๐Ÿซ• fondue; 1FAD5; +๐Ÿฅฃ bowl with spoon; 1F963; +๐Ÿฅ— green salad; 1F957; +๐Ÿฟ popcorn; 1F37F; +๐Ÿงˆ butter; 1F9C8; +๐Ÿง‚ salt; 1F9C2; +๐Ÿฅซ canned food; 1F96B; +๐Ÿฑ bento box; 1F371; +๐Ÿ˜ rice cracker; 1F358; +๐Ÿ™ rice ball; 1F359; +๐Ÿš cooked rice; 1F35A; +๐Ÿ› curry rice; 1F35B; +๐Ÿœ steaming bowl; 1F35C; +๐Ÿ spaghetti; 1F35D; +๐Ÿ  roasted sweet potato; 1F360; +๐Ÿข oden; 1F362; +๐Ÿฃ sushi; 1F363; +๐Ÿค fried shrimp; 1F364; +๐Ÿฅ fish cake with swirl; 1F365; +๐Ÿฅฎ moon cake; 1F96E; +๐Ÿก dango; 1F361; +๐ŸฅŸ dumpling; 1F95F; +๐Ÿฅ  fortune cookie; 1F960; +๐Ÿฅก takeout box; 1F961; +๐Ÿฆ€ crab; 1F980; +๐Ÿฆž lobster; 1F99E; +๐Ÿฆ shrimp; 1F990; +๐Ÿฆ‘ squid; 1F991; +๐Ÿฆช oyster; 1F9AA; +๐Ÿฆ soft ice cream; 1F366; +๐Ÿง shaved ice; 1F367; +๐Ÿจ ice cream; 1F368; +๐Ÿฉ doughnut; 1F369; +๐Ÿช cookie; 1F36A; +๐ŸŽ‚ birthday cake; 1F382; +๐Ÿฐ shortcake; 1F370; +๐Ÿง cupcake; 1F9C1; +๐Ÿฅง pie; 1F967; +๐Ÿซ chocolate bar; 1F36B; +๐Ÿฌ candy; 1F36C; +๐Ÿญ lollipop; 1F36D; +๐Ÿฎ custard; 1F36E; +๐Ÿฏ honey pot; 1F36F; +๐Ÿผ baby bottle; 1F37C; +๐Ÿฅ› glass of milk; 1F95B; +โ˜• hot beverage; 2615; +๐Ÿซ– teapot; 1FAD6; +๐Ÿต teacup without handle; 1F375; +๐Ÿถ sake; 1F376; +๐Ÿพ bottle with popping cork; 1F37E; +๐Ÿท wine glass; 1F377; +๐Ÿธ cocktail glass; 1F378; +๐Ÿน tropical drink; 1F379; +๐Ÿบ beer mug; 1F37A; +๐Ÿป clinking beer mugs; 1F37B; +๐Ÿฅ‚ clinking glasses; 1F942; +๐Ÿฅƒ tumbler glass; 1F943; +๐Ÿฅค cup with straw; 1F964; +๐Ÿง‹ bubble tea; 1F9CB; +๐Ÿงƒ beverage box; 1F9C3; +๐Ÿง‰ mate; 1F9C9; +๐ŸงŠ ice; 1F9CA; +๐Ÿฅข chopsticks; 1F962; +๐Ÿฝ๏ธ fork and knife with plate; 1F37D FE0F; +๐Ÿด fork and knife; 1F374; +๐Ÿฅ„ spoon; 1F944; +๐Ÿ”ช kitchen knife; 1F52A; +๐Ÿบ amphora; 1F3FA; +๐ŸŒ globe showing Europe-Africa; 1F30D; +๐ŸŒŽ globe showing Americas; 1F30E; +๐ŸŒ globe showing Asia-Australia; 1F30F; +๐ŸŒ globe with meridians; 1F310; +๐Ÿ—บ๏ธ world map; 1F5FA FE0F; +๐Ÿ—พ map of Japan; 1F5FE; +๐Ÿงญ compass; 1F9ED; +๐Ÿ”๏ธ snow-capped mountain; 1F3D4 FE0F; +โ›ฐ๏ธ mountain; 26F0 FE0F; +๐ŸŒ‹ volcano; 1F30B; +๐Ÿ—ป mount fuji; 1F5FB; +๐Ÿ•๏ธ camping; 1F3D5 FE0F; +๐Ÿ–๏ธ beach with umbrella; 1F3D6 FE0F; +๐Ÿœ๏ธ desert; 1F3DC FE0F; +๐Ÿ๏ธ desert island; 1F3DD FE0F; +๐Ÿž๏ธ national park; 1F3DE FE0F; +๐ŸŸ๏ธ stadium; 1F3DF FE0F; +๐Ÿ›๏ธ classical building; 1F3DB FE0F; +๐Ÿ—๏ธ building construction; 1F3D7 FE0F; +๐Ÿงฑ brick; 1F9F1; +๐Ÿชจ rock; 1FAA8; +๐Ÿชต wood; 1FAB5; +๐Ÿ›– hut; 1F6D6; +๐Ÿ˜๏ธ houses; 1F3D8 FE0F; +๐Ÿš๏ธ derelict house; 1F3DA FE0F; +๐Ÿ  house; 1F3E0; +๐Ÿก house with garden; 1F3E1; +๐Ÿข office building; 1F3E2; +๐Ÿฃ Japanese post office; 1F3E3; +๐Ÿค post office; 1F3E4; +๐Ÿฅ hospital; 1F3E5; +๐Ÿฆ bank; 1F3E6; +๐Ÿจ hotel; 1F3E8; +๐Ÿฉ love hotel; 1F3E9; +๐Ÿช convenience store; 1F3EA; +๐Ÿซ school; 1F3EB; +๐Ÿฌ department store; 1F3EC; +๐Ÿญ factory; 1F3ED; +๐Ÿฏ Japanese castle; 1F3EF; +๐Ÿฐ castle; 1F3F0; +๐Ÿ’’ wedding; 1F492; +๐Ÿ—ผ Tokyo tower; 1F5FC; +๐Ÿ—ฝ Statue of Liberty; 1F5FD; +โ›ช church; 26EA; +๐Ÿ•Œ mosque; 1F54C; +๐Ÿ›• hindu temple; 1F6D5; +๐Ÿ• synagogue; 1F54D; +โ›ฉ๏ธ shinto shrine; 26E9 FE0F; +๐Ÿ•‹ kaaba; 1F54B; +โ›ฒ fountain; 26F2; +โ›บ tent; 26FA; +๐ŸŒ foggy; 1F301; +๐ŸŒƒ night with stars; 1F303; +๐Ÿ™๏ธ cityscape; 1F3D9 FE0F; +๐ŸŒ„ sunrise over mountains; 1F304; +๐ŸŒ… sunrise; 1F305; +๐ŸŒ† cityscape at dusk; 1F306; +๐ŸŒ‡ sunset; 1F307; +๐ŸŒ‰ bridge at night; 1F309; +โ™จ๏ธ hot springs; 2668 FE0F; +๐ŸŽ  carousel horse; 1F3A0; +๐ŸŽก ferris wheel; 1F3A1; +๐ŸŽข roller coaster; 1F3A2; +๐Ÿ’ˆ barber pole; 1F488; +๐ŸŽช circus tent; 1F3AA; +๐Ÿš‚ locomotive; 1F682; +๐Ÿšƒ railway car; 1F683; +๐Ÿš„ high-speed train; 1F684; +๐Ÿš… bullet train; 1F685; +๐Ÿš† train; 1F686; +๐Ÿš‡ metro; 1F687; +๐Ÿšˆ light rail; 1F688; +๐Ÿš‰ station; 1F689; +๐ŸšŠ tram; 1F68A; +๐Ÿš monorail; 1F69D; +๐Ÿšž mountain railway; 1F69E; +๐Ÿš‹ tram car; 1F68B; +๐ŸšŒ bus; 1F68C; +๐Ÿš oncoming bus; 1F68D; +๐ŸšŽ trolleybus; 1F68E; +๐Ÿš minibus; 1F690; +๐Ÿš‘ ambulance; 1F691; +๐Ÿš’ fire engine; 1F692; +๐Ÿš“ police car; 1F693; +๐Ÿš” oncoming police car; 1F694; +๐Ÿš• taxi; 1F695; +๐Ÿš– oncoming taxi; 1F696; +๐Ÿš— automobile; 1F697; +๐Ÿš˜ oncoming automobile; 1F698; +๐Ÿš™ sport utility vehicle; 1F699; +๐Ÿ›ป pickup truck; 1F6FB; +๐Ÿšš delivery truck; 1F69A; +๐Ÿš› articulated lorry; 1F69B; +๐Ÿšœ tractor; 1F69C; +๐ŸŽ๏ธ racing car; 1F3CE FE0F; +๐Ÿ๏ธ motorcycle; 1F3CD FE0F; +๐Ÿ›ต motor scooter; 1F6F5; +๐Ÿฆฝ manual wheelchair; 1F9BD; +๐Ÿฆผ motorized wheelchair; 1F9BC; +๐Ÿ›บ auto rickshaw; 1F6FA; +๐Ÿšฒ bicycle; 1F6B2; +๐Ÿ›ด kick scooter; 1F6F4; +๐Ÿ›น skateboard; 1F6F9; +๐Ÿ›ผ roller skate; 1F6FC; +๐Ÿš bus stop; 1F68F; +๐Ÿ›ฃ๏ธ motorway; 1F6E3 FE0F; +๐Ÿ›ค๏ธ railway track; 1F6E4 FE0F; +๐Ÿ›ข๏ธ oil drum; 1F6E2 FE0F; +โ›ฝ fuel pump; 26FD; +๐Ÿšจ police car light; 1F6A8; +๐Ÿšฅ horizontal traffic light; 1F6A5; +๐Ÿšฆ vertical traffic light; 1F6A6; +๐Ÿ›‘ stop sign; 1F6D1; +๐Ÿšง construction; 1F6A7; +โš“ anchor; 2693; +โ›ต sailboat; 26F5; +๐Ÿ›ถ canoe; 1F6F6; +๐Ÿšค speedboat; 1F6A4; +๐Ÿ›ณ๏ธ passenger ship; 1F6F3 FE0F; +โ›ด๏ธ ferry; 26F4 FE0F; +๐Ÿ›ฅ๏ธ motor boat; 1F6E5 FE0F; +๐Ÿšข ship; 1F6A2; +โœˆ๏ธ airplane; 2708 FE0F; +๐Ÿ›ฉ๏ธ small airplane; 1F6E9 FE0F; +๐Ÿ›ซ airplane departure; 1F6EB; +๐Ÿ›ฌ airplane arrival; 1F6EC; +๐Ÿช‚ parachute; 1FA82; +๐Ÿ’บ seat; 1F4BA; +๐Ÿš helicopter; 1F681; +๐ŸšŸ suspension railway; 1F69F; +๐Ÿš  mountain cableway; 1F6A0; +๐Ÿšก aerial tramway; 1F6A1; +๐Ÿ›ฐ๏ธ satellite; 1F6F0 FE0F; +๐Ÿš€ rocket; 1F680; +๐Ÿ›ธ flying saucer; 1F6F8; +๐Ÿ›Ž๏ธ bellhop bell; 1F6CE FE0F; +๐Ÿงณ luggage; 1F9F3; +โŒ› hourglass done; 231B; +โณ hourglass not done; 23F3; +โŒš watch; 231A; +โฐ alarm clock; 23F0; +โฑ๏ธ stopwatch; 23F1 FE0F; +โฒ๏ธ timer clock; 23F2 FE0F; +๐Ÿ•ฐ๏ธ mantelpiece clock; 1F570 FE0F; +๐Ÿ•› twelve oโ€™clock; 1F55B; +๐Ÿ•ง twelve-thirty; 1F567; +๐Ÿ• one oโ€™clock; 1F550; +๐Ÿ•œ one-thirty; 1F55C; +๐Ÿ•‘ two oโ€™clock; 1F551; +๐Ÿ• two-thirty; 1F55D; +๐Ÿ•’ three oโ€™clock; 1F552; +๐Ÿ•ž three-thirty; 1F55E; +๐Ÿ•“ four oโ€™clock; 1F553; +๐Ÿ•Ÿ four-thirty; 1F55F; +๐Ÿ•” five oโ€™clock; 1F554; +๐Ÿ•  five-thirty; 1F560; +๐Ÿ•• six oโ€™clock; 1F555; +๐Ÿ•ก six-thirty; 1F561; +๐Ÿ•– seven oโ€™clock; 1F556; +๐Ÿ•ข seven-thirty; 1F562; +๐Ÿ•— eight oโ€™clock; 1F557; +๐Ÿ•ฃ eight-thirty; 1F563; +๐Ÿ•˜ nine oโ€™clock; 1F558; +๐Ÿ•ค nine-thirty; 1F564; +๐Ÿ•™ ten oโ€™clock; 1F559; +๐Ÿ•ฅ ten-thirty; 1F565; +๐Ÿ•š eleven oโ€™clock; 1F55A; +๐Ÿ•ฆ eleven-thirty; 1F566; +๐ŸŒ‘ new moon; 1F311; +๐ŸŒ’ waxing crescent moon; 1F312; +๐ŸŒ“ first quarter moon; 1F313; +๐ŸŒ” waxing gibbous moon; 1F314; +๐ŸŒ• full moon; 1F315; +๐ŸŒ– waning gibbous moon; 1F316; +๐ŸŒ— last quarter moon; 1F317; +๐ŸŒ˜ waning crescent moon; 1F318; +๐ŸŒ™ crescent moon; 1F319; +๐ŸŒš new moon face; 1F31A; +๐ŸŒ› first quarter moon face; 1F31B; +๐ŸŒœ last quarter moon face; 1F31C; +๐ŸŒก๏ธ thermometer; 1F321 FE0F; +โ˜€๏ธ sun; 2600 FE0F; +๐ŸŒ full moon face; 1F31D; +๐ŸŒž sun with face; 1F31E; +๐Ÿช ringed planet; 1FA90; +โญ star; 2B50; +๐ŸŒŸ glowing star; 1F31F; +๐ŸŒ  shooting star; 1F320; +๐ŸŒŒ milky way; 1F30C; +โ˜๏ธ cloud; 2601 FE0F; +โ›… sun behind cloud; 26C5; +โ›ˆ๏ธ cloud with lightning and rain; 26C8 FE0F; +๐ŸŒค๏ธ sun behind small cloud; 1F324 FE0F; +๐ŸŒฅ๏ธ sun behind large cloud; 1F325 FE0F; +๐ŸŒฆ๏ธ sun behind rain cloud; 1F326 FE0F; +๐ŸŒง๏ธ cloud with rain; 1F327 FE0F; +๐ŸŒจ๏ธ cloud with snow; 1F328 FE0F; +๐ŸŒฉ๏ธ cloud with lightning; 1F329 FE0F; +๐ŸŒช๏ธ tornado; 1F32A FE0F; +๐ŸŒซ๏ธ fog; 1F32B FE0F; +๐ŸŒฌ๏ธ wind face; 1F32C FE0F; +๐ŸŒ€ cyclone; 1F300; +๐ŸŒˆ rainbow; 1F308; +๐ŸŒ‚ closed umbrella; 1F302; +โ˜‚๏ธ umbrella; 2602 FE0F; +โ˜” umbrella with rain drops; 2614; +โ›ฑ๏ธ umbrella on ground; 26F1 FE0F; +โšก high voltage; 26A1; +โ„๏ธ snowflake; 2744 FE0F; +โ˜ƒ๏ธ snowman; 2603 FE0F; +โ›„ snowman without snow; 26C4; +โ˜„๏ธ comet; 2604 FE0F; +๐Ÿ”ฅ fire; 1F525; +๐Ÿ’ง droplet; 1F4A7; +๐ŸŒŠ water wave; 1F30A; +๐ŸŽƒ jack-o-lantern; 1F383; +๐ŸŽ„ Christmas tree; 1F384; +๐ŸŽ† fireworks; 1F386; +๐ŸŽ‡ sparkler; 1F387; +๐Ÿงจ firecracker; 1F9E8; +โœจ sparkles; 2728; +๐ŸŽˆ balloon; 1F388; +๐ŸŽ‰ party popper; 1F389; +๐ŸŽŠ confetti ball; 1F38A; +๐ŸŽ‹ tanabata tree; 1F38B; +๐ŸŽ pine decoration; 1F38D; +๐ŸŽŽ Japanese dolls; 1F38E; +๐ŸŽ carp streamer; 1F38F; +๐ŸŽ wind chime; 1F390; +๐ŸŽ‘ moon viewing ceremony; 1F391; +๐Ÿงง red envelope; 1F9E7; +๐ŸŽ€ ribbon; 1F380; +๐ŸŽ wrapped gift; 1F381; +๐ŸŽ—๏ธ reminder ribbon; 1F397 FE0F; +๐ŸŽŸ๏ธ admission tickets; 1F39F FE0F; +๐ŸŽซ ticket; 1F3AB; +๐ŸŽ–๏ธ military medal; 1F396 FE0F; +๐Ÿ† trophy; 1F3C6; +๐Ÿ… sports medal; 1F3C5; +๐Ÿฅ‡ 1st place medal; 1F947; +๐Ÿฅˆ 2nd place medal; 1F948; +๐Ÿฅ‰ 3rd place medal; 1F949; +โšฝ soccer ball; 26BD; +โšพ baseball; 26BE; +๐ŸฅŽ softball; 1F94E; +๐Ÿ€ basketball; 1F3C0; +๐Ÿ volleyball; 1F3D0; +๐Ÿˆ american football; 1F3C8; +๐Ÿ‰ rugby football; 1F3C9; +๐ŸŽพ tennis; 1F3BE; +๐Ÿฅ flying disc; 1F94F; +๐ŸŽณ bowling; 1F3B3; +๐Ÿ cricket game; 1F3CF; +๐Ÿ‘ field hockey; 1F3D1; +๐Ÿ’ ice hockey; 1F3D2; +๐Ÿฅ lacrosse; 1F94D; +๐Ÿ“ ping pong; 1F3D3; +๐Ÿธ badminton; 1F3F8; +๐ŸฅŠ boxing glove; 1F94A; +๐Ÿฅ‹ martial arts uniform; 1F94B; +๐Ÿฅ… goal net; 1F945; +โ›ณ flag in hole; 26F3; +โ›ธ๏ธ ice skate; 26F8 FE0F; +๐ŸŽฃ fishing pole; 1F3A3; +๐Ÿคฟ diving mask; 1F93F; +๐ŸŽฝ running shirt; 1F3BD; +๐ŸŽฟ skis; 1F3BF; +๐Ÿ›ท sled; 1F6F7; +๐ŸฅŒ curling stone; 1F94C; +๐ŸŽฏ direct hit; 1F3AF; +๐Ÿช€ yo-yo; 1FA80; +๐Ÿช kite; 1FA81; +๐ŸŽฑ pool 8 ball; 1F3B1; +๐Ÿ”ฎ crystal ball; 1F52E; +๐Ÿช„ magic wand; 1FA84; +๐Ÿงฟ nazar amulet; 1F9FF; +๐ŸŽฎ video game; 1F3AE; +๐Ÿ•น๏ธ joystick; 1F579 FE0F; +๐ŸŽฐ slot machine; 1F3B0; +๐ŸŽฒ game die; 1F3B2; +๐Ÿงฉ puzzle piece; 1F9E9; +๐Ÿงธ teddy bear; 1F9F8; +๐Ÿช… piรฑata; 1FA85; +๐Ÿช† nesting dolls; 1FA86; +โ™ ๏ธ spade suit; 2660 FE0F; +โ™ฅ๏ธ heart suit; 2665 FE0F; +โ™ฆ๏ธ diamond suit; 2666 FE0F; +โ™ฃ๏ธ club suit; 2663 FE0F; +โ™Ÿ๏ธ chess pawn; 265F FE0F; +๐Ÿƒ joker; 1F0CF; +๐Ÿ€„ mahjong red dragon; 1F004; +๐ŸŽด flower playing cards; 1F3B4; +๐ŸŽญ performing arts; 1F3AD; +๐Ÿ–ผ๏ธ framed picture; 1F5BC FE0F; +๐ŸŽจ artist palette; 1F3A8; +๐Ÿงต thread; 1F9F5; +๐Ÿชก sewing needle; 1FAA1; +๐Ÿงถ yarn; 1F9F6; +๐Ÿชข knot; 1FAA2; +๐Ÿ‘“ glasses; 1F453; +๐Ÿ•ถ๏ธ sunglasses; 1F576 FE0F; +๐Ÿฅฝ goggles; 1F97D; +๐Ÿฅผ lab coat; 1F97C; +๐Ÿฆบ safety vest; 1F9BA; +๐Ÿ‘” necktie; 1F454; +๐Ÿ‘• t-shirt; 1F455; +๐Ÿ‘– jeans; 1F456; +๐Ÿงฃ scarf; 1F9E3; +๐Ÿงค gloves; 1F9E4; +๐Ÿงฅ coat; 1F9E5; +๐Ÿงฆ socks; 1F9E6; +๐Ÿ‘— dress; 1F457; +๐Ÿ‘˜ kimono; 1F458; +๐Ÿฅป sari; 1F97B; +๐Ÿฉฑ one-piece swimsuit; 1FA71; +๐Ÿฉฒ briefs; 1FA72; +๐Ÿฉณ shorts; 1FA73; +๐Ÿ‘™ bikini; 1F459; +๐Ÿ‘š womanโ€™s clothes; 1F45A; +๐Ÿ‘› purse; 1F45B; +๐Ÿ‘œ handbag; 1F45C; +๐Ÿ‘ clutch bag; 1F45D; +๐Ÿ›๏ธ shopping bags; 1F6CD FE0F; +๐ŸŽ’ backpack; 1F392; +๐Ÿฉด thong sandal; 1FA74; +๐Ÿ‘ž manโ€™s shoe; 1F45E; +๐Ÿ‘Ÿ running shoe; 1F45F; +๐Ÿฅพ hiking boot; 1F97E; +๐Ÿฅฟ flat shoe; 1F97F; +๐Ÿ‘  high-heeled shoe; 1F460; +๐Ÿ‘ก womanโ€™s sandal; 1F461; +๐Ÿฉฐ ballet shoes; 1FA70; +๐Ÿ‘ข womanโ€™s boot; 1F462; +๐Ÿ‘‘ crown; 1F451; +๐Ÿ‘’ womanโ€™s hat; 1F452; +๐ŸŽฉ top hat; 1F3A9; +๐ŸŽ“ graduation cap; 1F393; +๐Ÿงข billed cap; 1F9E2; +๐Ÿช– military helmet; 1FA96; +โ›‘๏ธ rescue workerโ€™s helmet; 26D1 FE0F; +๐Ÿ“ฟ prayer beads; 1F4FF; +๐Ÿ’„ lipstick; 1F484; +๐Ÿ’ ring; 1F48D; +๐Ÿ’Ž gem stone; 1F48E; +๐Ÿ”‡ muted speaker; 1F507; +๐Ÿ”ˆ speaker low volume; 1F508; +๐Ÿ”‰ speaker medium volume; 1F509; +๐Ÿ”Š speaker high volume; 1F50A; +๐Ÿ“ข loudspeaker; 1F4E2; +๐Ÿ“ฃ megaphone; 1F4E3; +๐Ÿ“ฏ postal horn; 1F4EF; +๐Ÿ”” bell; 1F514; +๐Ÿ”• bell with slash; 1F515; +๐ŸŽผ musical score; 1F3BC; +๐ŸŽต musical note; 1F3B5; +๐ŸŽถ musical notes; 1F3B6; +๐ŸŽ™๏ธ studio microphone; 1F399 FE0F; +๐ŸŽš๏ธ level slider; 1F39A FE0F; +๐ŸŽ›๏ธ control knobs; 1F39B FE0F; +๐ŸŽค microphone; 1F3A4; +๐ŸŽง headphone; 1F3A7; +๐Ÿ“ป radio; 1F4FB; +๐ŸŽท saxophone; 1F3B7; +๐Ÿช— accordion; 1FA97; +๐ŸŽธ guitar; 1F3B8; +๐ŸŽน musical keyboard; 1F3B9; +๐ŸŽบ trumpet; 1F3BA; +๐ŸŽป violin; 1F3BB; +๐Ÿช• banjo; 1FA95; +๐Ÿฅ drum; 1F941; +๐Ÿช˜ long drum; 1FA98; +๐Ÿ“ฑ mobile phone; 1F4F1; +๐Ÿ“ฒ mobile phone with arrow; 1F4F2; +โ˜Ž๏ธ telephone; 260E FE0F; +๐Ÿ“ž telephone receiver; 1F4DE; +๐Ÿ“Ÿ pager; 1F4DF; +๐Ÿ“  fax machine; 1F4E0; +๐Ÿ”‹ battery; 1F50B; +๐Ÿ”Œ electric plug; 1F50C; +๐Ÿ’ป laptop; 1F4BB; +๐Ÿ–ฅ๏ธ desktop computer; 1F5A5 FE0F; +๐Ÿ–จ๏ธ printer; 1F5A8 FE0F; +โŒจ๏ธ keyboard; 2328 FE0F; +๐Ÿ–ฑ๏ธ computer mouse; 1F5B1 FE0F; +๐Ÿ–ฒ๏ธ trackball; 1F5B2 FE0F; +๐Ÿ’ฝ computer disk; 1F4BD; +๐Ÿ’พ floppy disk; 1F4BE; +๐Ÿ’ฟ optical disk; 1F4BF; +๐Ÿ“€ dvd; 1F4C0; +๐Ÿงฎ abacus; 1F9EE; +๐ŸŽฅ movie camera; 1F3A5; +๐ŸŽž๏ธ film frames; 1F39E FE0F; +๐Ÿ“ฝ๏ธ film projector; 1F4FD FE0F; +๐ŸŽฌ clapper board; 1F3AC; +๐Ÿ“บ television; 1F4FA; +๐Ÿ“ท camera; 1F4F7; +๐Ÿ“ธ camera with flash; 1F4F8; +๐Ÿ“น video camera; 1F4F9; +๐Ÿ“ผ videocassette; 1F4FC; +๐Ÿ” magnifying glass tilted left; 1F50D; +๐Ÿ”Ž magnifying glass tilted right; 1F50E; +๐Ÿ•ฏ๏ธ candle; 1F56F FE0F; +๐Ÿ’ก light bulb; 1F4A1; +๐Ÿ”ฆ flashlight; 1F526; +๐Ÿฎ red paper lantern; 1F3EE; +๐Ÿช” diya lamp; 1FA94; +๐Ÿ“” notebook with decorative cover; 1F4D4; +๐Ÿ“• closed book; 1F4D5; +๐Ÿ“– open book; 1F4D6; +๐Ÿ“— green book; 1F4D7; +๐Ÿ“˜ blue book; 1F4D8; +๐Ÿ“™ orange book; 1F4D9; +๐Ÿ“š books; 1F4DA; +๐Ÿ““ notebook; 1F4D3; +๐Ÿ“’ ledger; 1F4D2; +๐Ÿ“ƒ page with curl; 1F4C3; +๐Ÿ“œ scroll; 1F4DC; +๐Ÿ“„ page facing up; 1F4C4; +๐Ÿ“ฐ newspaper; 1F4F0; +๐Ÿ—ž๏ธ rolled-up newspaper; 1F5DE FE0F; +๐Ÿ“‘ bookmark tabs; 1F4D1; +๐Ÿ”– bookmark; 1F516; +๐Ÿท๏ธ label; 1F3F7 FE0F; +๐Ÿ’ฐ money bag; 1F4B0; +๐Ÿช™ coin; 1FA99; +๐Ÿ’ด yen banknote; 1F4B4; +๐Ÿ’ต dollar banknote; 1F4B5; +๐Ÿ’ถ euro banknote; 1F4B6; +๐Ÿ’ท pound banknote; 1F4B7; +๐Ÿ’ธ money with wings; 1F4B8; +๐Ÿ’ณ credit card; 1F4B3; +๐Ÿงพ receipt; 1F9FE; +๐Ÿ’น chart increasing with yen; 1F4B9; +โœ‰๏ธ envelope; 2709 FE0F; +๐Ÿ“ง e-mail; 1F4E7; +๐Ÿ“จ incoming envelope; 1F4E8; +๐Ÿ“ฉ envelope with arrow; 1F4E9; +๐Ÿ“ค outbox tray; 1F4E4; +๐Ÿ“ฅ inbox tray; 1F4E5; +๐Ÿ“ฆ package; 1F4E6; +๐Ÿ“ซ closed mailbox with raised flag; 1F4EB; +๐Ÿ“ช closed mailbox with lowered flag; 1F4EA; +๐Ÿ“ฌ open mailbox with raised flag; 1F4EC; +๐Ÿ“ญ open mailbox with lowered flag; 1F4ED; +๐Ÿ“ฎ postbox; 1F4EE; +๐Ÿ—ณ๏ธ ballot box with ballot; 1F5F3 FE0F; +โœ๏ธ pencil; 270F FE0F; +โœ’๏ธ black nib; 2712 FE0F; +๐Ÿ–‹๏ธ fountain pen; 1F58B FE0F; +๐Ÿ–Š๏ธ pen; 1F58A FE0F; +๐Ÿ–Œ๏ธ paintbrush; 1F58C FE0F; +๐Ÿ–๏ธ crayon; 1F58D FE0F; +๐Ÿ“ memo; 1F4DD; +๐Ÿ’ผ briefcase; 1F4BC; +๐Ÿ“ file folder; 1F4C1; +๐Ÿ“‚ open file folder; 1F4C2; +๐Ÿ—‚๏ธ card index dividers; 1F5C2 FE0F; +๐Ÿ“… calendar; 1F4C5; +๐Ÿ“† tear-off calendar; 1F4C6; +๐Ÿ—’๏ธ spiral notepad; 1F5D2 FE0F; +๐Ÿ—“๏ธ spiral calendar; 1F5D3 FE0F; +๐Ÿ“‡ card index; 1F4C7; +๐Ÿ“ˆ chart increasing; 1F4C8; +๐Ÿ“‰ chart decreasing; 1F4C9; +๐Ÿ“Š bar chart; 1F4CA; +๐Ÿ“‹ clipboard; 1F4CB; +๐Ÿ“Œ pushpin; 1F4CC; +๐Ÿ“ round pushpin; 1F4CD; +๐Ÿ“Ž paperclip; 1F4CE; +๐Ÿ–‡๏ธ linked paperclips; 1F587 FE0F; +๐Ÿ“ straight ruler; 1F4CF; +๐Ÿ“ triangular ruler; 1F4D0; +โœ‚๏ธ scissors; 2702 FE0F; +๐Ÿ—ƒ๏ธ card file box; 1F5C3 FE0F; +๐Ÿ—„๏ธ file cabinet; 1F5C4 FE0F; +๐Ÿ—‘๏ธ wastebasket; 1F5D1 FE0F; +๐Ÿ”’ locked; 1F512; +๐Ÿ”“ unlocked; 1F513; +๐Ÿ” locked with pen; 1F50F; +๐Ÿ” locked with key; 1F510; +๐Ÿ”‘ key; 1F511; +๐Ÿ—๏ธ old key; 1F5DD FE0F; +๐Ÿ”จ hammer; 1F528; +๐Ÿช“ axe; 1FA93; +โ›๏ธ pick; 26CF FE0F; +โš’๏ธ hammer and pick; 2692 FE0F; +๐Ÿ› ๏ธ hammer and wrench; 1F6E0 FE0F; +๐Ÿ—ก๏ธ dagger; 1F5E1 FE0F; +โš”๏ธ crossed swords; 2694 FE0F; +๐Ÿ”ซ pistol; 1F52B; +๐Ÿชƒ boomerang; 1FA83; +๐Ÿน bow and arrow; 1F3F9; +๐Ÿ›ก๏ธ shield; 1F6E1 FE0F; +๐Ÿชš carpentry saw; 1FA9A; +๐Ÿ”ง wrench; 1F527; +๐Ÿช› screwdriver; 1FA9B; +๐Ÿ”ฉ nut and bolt; 1F529; +โš™๏ธ gear; 2699 FE0F; +๐Ÿ—œ๏ธ clamp; 1F5DC FE0F; +โš–๏ธ balance scale; 2696 FE0F; +๐Ÿฆฏ white cane; 1F9AF; +๐Ÿ”— link; 1F517; +โ›“๏ธ chains; 26D3 FE0F; +๐Ÿช hook; 1FA9D; +๐Ÿงฐ toolbox; 1F9F0; +๐Ÿงฒ magnet; 1F9F2; +๐Ÿชœ ladder; 1FA9C; +โš—๏ธ alembic; 2697 FE0F; +๐Ÿงช test tube; 1F9EA; +๐Ÿงซ petri dish; 1F9EB; +๐Ÿงฌ dna; 1F9EC; +๐Ÿ”ฌ microscope; 1F52C; +๐Ÿ”ญ telescope; 1F52D; +๐Ÿ“ก satellite antenna; 1F4E1; +๐Ÿ’‰ syringe; 1F489; +๐Ÿฉธ drop of blood; 1FA78; +๐Ÿ’Š pill; 1F48A; +๐Ÿฉน adhesive bandage; 1FA79; +๐Ÿฉบ stethoscope; 1FA7A; +๐Ÿšช door; 1F6AA; +๐Ÿ›— elevator; 1F6D7; +๐Ÿชž mirror; 1FA9E; +๐ŸชŸ window; 1FA9F; +๐Ÿ›๏ธ bed; 1F6CF FE0F; +๐Ÿ›‹๏ธ couch and lamp; 1F6CB FE0F; +๐Ÿช‘ chair; 1FA91; +๐Ÿšฝ toilet; 1F6BD; +๐Ÿช  plunger; 1FAA0; +๐Ÿšฟ shower; 1F6BF; +๐Ÿ› bathtub; 1F6C1; +๐Ÿชค mouse trap; 1FAA4; +๐Ÿช’ razor; 1FA92; +๐Ÿงด lotion bottle; 1F9F4; +๐Ÿงท safety pin; 1F9F7; +๐Ÿงน broom; 1F9F9; +๐Ÿงบ basket; 1F9FA; +๐Ÿงป roll of paper; 1F9FB; +๐Ÿชฃ bucket; 1FAA3; +๐Ÿงผ soap; 1F9FC; +๐Ÿชฅ toothbrush; 1FAA5; +๐Ÿงฝ sponge; 1F9FD; +๐Ÿงฏ fire extinguisher; 1F9EF; +๐Ÿ›’ shopping cart; 1F6D2; +๐Ÿšฌ cigarette; 1F6AC; +โšฐ๏ธ coffin; 26B0 FE0F; +๐Ÿชฆ headstone; 1FAA6; +โšฑ๏ธ funeral urn; 26B1 FE0F; +๐Ÿ—ฟ moai; 1F5FF; +๐Ÿชง placard; 1FAA7; +๐Ÿง ATM sign; 1F3E7; +๐Ÿšฎ litter in bin sign; 1F6AE; +๐Ÿšฐ potable water; 1F6B0; +โ™ฟ wheelchair symbol; 267F; +๐Ÿšน menโ€™s room; 1F6B9; +๐Ÿšบ womenโ€™s room; 1F6BA; +๐Ÿšป restroom; 1F6BB; +๐Ÿšผ baby symbol; 1F6BC; +๐Ÿšพ water closet; 1F6BE; +๐Ÿ›‚ passport control; 1F6C2; +๐Ÿ›ƒ customs; 1F6C3; +๐Ÿ›„ baggage claim; 1F6C4; +๐Ÿ›… left luggage; 1F6C5; +โš ๏ธ warning; 26A0 FE0F; +๐Ÿšธ children crossing; 1F6B8; +โ›” no entry; 26D4; +๐Ÿšซ prohibited; 1F6AB; +๐Ÿšณ no bicycles; 1F6B3; +๐Ÿšญ no smoking; 1F6AD; +๐Ÿšฏ no littering; 1F6AF; +๐Ÿšฑ non-potable water; 1F6B1; +๐Ÿšท no pedestrians; 1F6B7; +๐Ÿ“ต no mobile phones; 1F4F5; +๐Ÿ”ž no one under eighteen; 1F51E; +โ˜ข๏ธ radioactive; 2622 FE0F; +โ˜ฃ๏ธ biohazard; 2623 FE0F; +โฌ†๏ธ up arrow; 2B06 FE0F; +โ†—๏ธ up-right arrow; 2197 FE0F; +โžก๏ธ right arrow; 27A1 FE0F; +โ†˜๏ธ down-right arrow; 2198 FE0F; +โฌ‡๏ธ down arrow; 2B07 FE0F; +โ†™๏ธ down-left arrow; 2199 FE0F; +โฌ…๏ธ left arrow; 2B05 FE0F; +โ†–๏ธ up-left arrow; 2196 FE0F; +โ†•๏ธ up-down arrow; 2195 FE0F; +โ†”๏ธ left-right arrow; 2194 FE0F; +โ†ฉ๏ธ right arrow curving left; 21A9 FE0F; +โ†ช๏ธ left arrow curving right; 21AA FE0F; +โคด๏ธ right arrow curving up; 2934 FE0F; +โคต๏ธ right arrow curving down; 2935 FE0F; +๐Ÿ”ƒ clockwise vertical arrows; 1F503; +๐Ÿ”„ counterclockwise arrows button; 1F504; +๐Ÿ”™ BACK arrow; 1F519; +๐Ÿ”š END arrow; 1F51A; +๐Ÿ”› ON! arrow; 1F51B; +๐Ÿ”œ SOON arrow; 1F51C; +๐Ÿ” TOP arrow; 1F51D; +๐Ÿ› place of worship; 1F6D0; +โš›๏ธ atom symbol; 269B FE0F; +๐Ÿ•‰๏ธ om; 1F549 FE0F; +โœก๏ธ star of David; 2721 FE0F; +โ˜ธ๏ธ wheel of dharma; 2638 FE0F; +โ˜ฏ๏ธ yin yang; 262F FE0F; +โœ๏ธ latin cross; 271D FE0F; +โ˜ฆ๏ธ orthodox cross; 2626 FE0F; +โ˜ช๏ธ star and crescent; 262A FE0F; +โ˜ฎ๏ธ peace symbol; 262E FE0F; +๐Ÿ•Ž menorah; 1F54E; +๐Ÿ”ฏ dotted six-pointed star; 1F52F; +โ™ˆ Aries; 2648; +โ™‰ Taurus; 2649; +โ™Š Gemini; 264A; +โ™‹ Cancer; 264B; +โ™Œ Leo; 264C; +โ™ Virgo; 264D; +โ™Ž Libra; 264E; +โ™ Scorpio; 264F; +โ™ Sagittarius; 2650; +โ™‘ Capricorn; 2651; +โ™’ Aquarius; 2652; +โ™“ Pisces; 2653; +โ›Ž Ophiuchus; 26CE; +๐Ÿ”€ shuffle tracks button; 1F500; +๐Ÿ” repeat button; 1F501; +๐Ÿ”‚ repeat single button; 1F502; +โ–ถ๏ธ play button; 25B6 FE0F; +โฉ fast-forward button; 23E9; +โญ๏ธ next track button; 23ED FE0F; +โฏ๏ธ play or pause button; 23EF FE0F; +โ—€๏ธ reverse button; 25C0 FE0F; +โช fast reverse button; 23EA; +โฎ๏ธ last track button; 23EE FE0F; +๐Ÿ”ผ upwards button; 1F53C; +โซ fast up button; 23EB; +๐Ÿ”ฝ downwards button; 1F53D; +โฌ fast down button; 23EC; +โธ๏ธ pause button; 23F8 FE0F; +โน๏ธ stop button; 23F9 FE0F; +โบ๏ธ record button; 23FA FE0F; +โ๏ธ eject button; 23CF FE0F; +๐ŸŽฆ cinema; 1F3A6; +๐Ÿ”… dim button; 1F505; +๐Ÿ”† bright button; 1F506; +๐Ÿ“ถ antenna bars; 1F4F6; +๐Ÿ“ณ vibration mode; 1F4F3; +๐Ÿ“ด mobile phone off; 1F4F4; +โ™€๏ธ female sign; 2640 FE0F; +โ™‚๏ธ male sign; 2642 FE0F; +โšง๏ธ transgender symbol; 26A7 FE0F; +โœ–๏ธ multiply; 2716 FE0F; +โž• plus; 2795; +โž– minus; 2796; +โž— divide; 2797; +โ™พ๏ธ infinity; 267E FE0F; +โ€ผ๏ธ double exclamation mark; 203C FE0F; +โ‰๏ธ exclamation question mark; 2049 FE0F; +โ“ question mark; 2753; +โ” white question mark; 2754; +โ• white exclamation mark; 2755; +โ— exclamation mark; 2757; +ใ€ฐ๏ธ wavy dash; 3030 FE0F; +๐Ÿ’ฑ currency exchange; 1F4B1; +๐Ÿ’ฒ heavy dollar sign; 1F4B2; +โš•๏ธ medical symbol; 2695 FE0F; +โ™ป๏ธ recycling symbol; 267B FE0F; +โšœ๏ธ fleur-de-lis; 269C FE0F; +๐Ÿ”ฑ trident emblem; 1F531; +๐Ÿ“› name badge; 1F4DB; +๐Ÿ”ฐ Japanese symbol for beginner; 1F530; +โญ• hollow red circle; 2B55; +โœ… check mark button; 2705; +โ˜‘๏ธ check box with check; 2611 FE0F; +โœ”๏ธ check mark; 2714 FE0F; +โŒ cross mark; 274C; +โŽ cross mark button; 274E; +โžฐ curly loop; 27B0; +โžฟ double curly loop; 27BF; +ใ€ฝ๏ธ part alternation mark; 303D FE0F; +โœณ๏ธ eight-spoked asterisk; 2733 FE0F; +โœด๏ธ eight-pointed star; 2734 FE0F; +โ‡๏ธ sparkle; 2747 FE0F; +ยฉ๏ธ copyright; 00A9 FE0F; +ยฎ๏ธ registered; 00AE FE0F; +โ„ข๏ธ trade mark; 2122 FE0F; +#๏ธโƒฃ keycap: #; 0023 FE0F 20E3; +*๏ธโƒฃ keycap: *; 002A FE0F 20E3; +0๏ธโƒฃ keycap: 0; 0030 FE0F 20E3; +1๏ธโƒฃ keycap: 1; 0031 FE0F 20E3; +2๏ธโƒฃ keycap: 2; 0032 FE0F 20E3; +3๏ธโƒฃ keycap: 3; 0033 FE0F 20E3; +4๏ธโƒฃ keycap: 4; 0034 FE0F 20E3; +5๏ธโƒฃ keycap: 5; 0035 FE0F 20E3; +6๏ธโƒฃ keycap: 6; 0036 FE0F 20E3; +7๏ธโƒฃ keycap: 7; 0037 FE0F 20E3; +8๏ธโƒฃ keycap: 8; 0038 FE0F 20E3; +9๏ธโƒฃ keycap: 9; 0039 FE0F 20E3; +๐Ÿ”Ÿ keycap: 10; 1F51F; +๐Ÿ”  input latin uppercase; 1F520; +๐Ÿ”ก input latin lowercase; 1F521; +๐Ÿ”ข input numbers; 1F522; +๐Ÿ”ฃ input symbols; 1F523; +๐Ÿ”ค input latin letters; 1F524; +๐Ÿ…ฐ๏ธ A button (blood type); 1F170 FE0F; +๐Ÿ†Ž AB button (blood type); 1F18E; +๐Ÿ…ฑ๏ธ B button (blood type); 1F171 FE0F; +๐Ÿ†‘ CL button; 1F191; +๐Ÿ†’ COOL button; 1F192; +๐Ÿ†“ FREE button; 1F193; +โ„น๏ธ information; 2139 FE0F; +๐Ÿ†” ID button; 1F194; +โ“‚๏ธ circled M; 24C2 FE0F; +๐Ÿ†• NEW button; 1F195; +๐Ÿ†– NG button; 1F196; +๐Ÿ…พ๏ธ O button (blood type); 1F17E FE0F; +๐Ÿ†— OK button; 1F197; +๐Ÿ…ฟ๏ธ P button; 1F17F FE0F; +๐Ÿ†˜ SOS button; 1F198; +๐Ÿ†™ UP! button; 1F199; +๐Ÿ†š VS button; 1F19A; +๐Ÿˆ Japanese โ€œhereโ€ button; 1F201; +๐Ÿˆ‚๏ธ Japanese โ€œservice chargeโ€ button; 1F202 FE0F; +๐Ÿˆท๏ธ Japanese โ€œmonthly amountโ€ button; 1F237 FE0F; +๐Ÿˆถ Japanese โ€œnot free of chargeโ€ button; 1F236; +๐Ÿˆฏ Japanese โ€œreservedโ€ button; 1F22F; +๐Ÿ‰ Japanese โ€œbargainโ€ button; 1F250; +๐Ÿˆน Japanese โ€œdiscountโ€ button; 1F239; +๐Ÿˆš Japanese โ€œfree of chargeโ€ button; 1F21A; +๐Ÿˆฒ Japanese โ€œprohibitedโ€ button; 1F232; +๐Ÿ‰‘ Japanese โ€œacceptableโ€ button; 1F251; +๐Ÿˆธ Japanese โ€œapplicationโ€ button; 1F238; +๐Ÿˆด Japanese โ€œpassing gradeโ€ button; 1F234; +๐Ÿˆณ Japanese โ€œvacancyโ€ button; 1F233; +ใŠ—๏ธ Japanese โ€œcongratulationsโ€ button; 3297 FE0F; +ใŠ™๏ธ Japanese โ€œsecretโ€ button; 3299 FE0F; +๐Ÿˆบ Japanese โ€œopen for businessโ€ button; 1F23A; +๐Ÿˆต Japanese โ€œno vacancyโ€ button; 1F235; +๐Ÿ”ด red circle; 1F534; +๐ŸŸ  orange circle; 1F7E0; +๐ŸŸก yellow circle; 1F7E1; +๐ŸŸข green circle; 1F7E2; +๐Ÿ”ต blue circle; 1F535; +๐ŸŸฃ purple circle; 1F7E3; +๐ŸŸค brown circle; 1F7E4; +โšซ black circle; 26AB; +โšช white circle; 26AA; +๐ŸŸฅ red square; 1F7E5; +๐ŸŸง orange square; 1F7E7; +๐ŸŸจ yellow square; 1F7E8; +๐ŸŸฉ green square; 1F7E9; +๐ŸŸฆ blue square; 1F7E6; +๐ŸŸช purple square; 1F7EA; +๐ŸŸซ brown square; 1F7EB; +โฌ› black large square; 2B1B; +โฌœ white large square; 2B1C; +โ—ผ๏ธ black medium square; 25FC FE0F; +โ—ป๏ธ white medium square; 25FB FE0F; +โ—พ black medium-small square; 25FE; +โ—ฝ white medium-small square; 25FD; +โ–ช๏ธ black small square; 25AA FE0F; +โ–ซ๏ธ white small square; 25AB FE0F; +๐Ÿ”ถ large orange diamond; 1F536; +๐Ÿ”ท large blue diamond; 1F537; +๐Ÿ”ธ small orange diamond; 1F538; +๐Ÿ”น small blue diamond; 1F539; +๐Ÿ”บ red triangle pointed up; 1F53A; +๐Ÿ”ป red triangle pointed down; 1F53B; +๐Ÿ’  diamond with a dot; 1F4A0; +๐Ÿ”˜ radio button; 1F518; +๐Ÿ”ณ white square button; 1F533; +๐Ÿ”ฒ black square button; 1F532; +๐Ÿ chequered flag; 1F3C1; +๐Ÿšฉ triangular flag; 1F6A9; +๐ŸŽŒ crossed flags; 1F38C; +๐Ÿด black flag; 1F3F4; +๐Ÿณ๏ธ white flag; 1F3F3 FE0F; +๐Ÿ‡ฆ๐Ÿ‡จ flag: Ascension Island; 1F1E6 1F1E8; +๐Ÿ‡ฆ๐Ÿ‡ฉ flag: Andorra; 1F1E6 1F1E9; +๐Ÿ‡ฆ๐Ÿ‡ช flag: United Arab Emirates; 1F1E6 1F1EA; +๐Ÿ‡ฆ๐Ÿ‡ซ flag: Afghanistan; 1F1E6 1F1EB; +๐Ÿ‡ฆ๐Ÿ‡ฌ flag: Antigua & Barbuda; 1F1E6 1F1EC; +๐Ÿ‡ฆ๐Ÿ‡ฎ flag: Anguilla; 1F1E6 1F1EE; +๐Ÿ‡ฆ๐Ÿ‡ฑ flag: Albania; 1F1E6 1F1F1; +๐Ÿ‡ฆ๐Ÿ‡ฒ flag: Armenia; 1F1E6 1F1F2; +๐Ÿ‡ฆ๐Ÿ‡ด flag: Angola; 1F1E6 1F1F4; +๐Ÿ‡ฆ๐Ÿ‡ถ flag: Antarctica; 1F1E6 1F1F6; +๐Ÿ‡ฆ๐Ÿ‡ท flag: Argentina; 1F1E6 1F1F7; +๐Ÿ‡ฆ๐Ÿ‡ธ flag: American Samoa; 1F1E6 1F1F8; +๐Ÿ‡ฆ๐Ÿ‡น flag: Austria; 1F1E6 1F1F9; +๐Ÿ‡ฆ๐Ÿ‡บ flag: Australia; 1F1E6 1F1FA; +๐Ÿ‡ฆ๐Ÿ‡ผ flag: Aruba; 1F1E6 1F1FC; +๐Ÿ‡ฆ๐Ÿ‡ฝ flag: ร…land Islands; 1F1E6 1F1FD; +๐Ÿ‡ฆ๐Ÿ‡ฟ flag: Azerbaijan; 1F1E6 1F1FF; +๐Ÿ‡ง๐Ÿ‡ฆ flag: Bosnia & Herzegovina; 1F1E7 1F1E6; +๐Ÿ‡ง๐Ÿ‡ง flag: Barbados; 1F1E7 1F1E7; +๐Ÿ‡ง๐Ÿ‡ฉ flag: Bangladesh; 1F1E7 1F1E9; +๐Ÿ‡ง๐Ÿ‡ช flag: Belgium; 1F1E7 1F1EA; +๐Ÿ‡ง๐Ÿ‡ซ flag: Burkina Faso; 1F1E7 1F1EB; +๐Ÿ‡ง๐Ÿ‡ฌ flag: Bulgaria; 1F1E7 1F1EC; +๐Ÿ‡ง๐Ÿ‡ญ flag: Bahrain; 1F1E7 1F1ED; +๐Ÿ‡ง๐Ÿ‡ฎ flag: Burundi; 1F1E7 1F1EE; +๐Ÿ‡ง๐Ÿ‡ฏ flag: Benin; 1F1E7 1F1EF; +๐Ÿ‡ง๐Ÿ‡ฑ flag: St. Barthรฉlemy; 1F1E7 1F1F1; +๐Ÿ‡ง๐Ÿ‡ฒ flag: Bermuda; 1F1E7 1F1F2; +๐Ÿ‡ง๐Ÿ‡ณ flag: Brunei; 1F1E7 1F1F3; +๐Ÿ‡ง๐Ÿ‡ด flag: Bolivia; 1F1E7 1F1F4; +๐Ÿ‡ง๐Ÿ‡ถ flag: Caribbean Netherlands; 1F1E7 1F1F6; +๐Ÿ‡ง๐Ÿ‡ท flag: Brazil; 1F1E7 1F1F7; +๐Ÿ‡ง๐Ÿ‡ธ flag: Bahamas; 1F1E7 1F1F8; +๐Ÿ‡ง๐Ÿ‡น flag: Bhutan; 1F1E7 1F1F9; +๐Ÿ‡ง๐Ÿ‡ป flag: Bouvet Island; 1F1E7 1F1FB; +๐Ÿ‡ง๐Ÿ‡ผ flag: Botswana; 1F1E7 1F1FC; +๐Ÿ‡ง๐Ÿ‡พ flag: Belarus; 1F1E7 1F1FE; +๐Ÿ‡ง๐Ÿ‡ฟ flag: Belize; 1F1E7 1F1FF; +๐Ÿ‡จ๐Ÿ‡ฆ flag: Canada; 1F1E8 1F1E6; +๐Ÿ‡จ๐Ÿ‡จ flag: Cocos (Keeling) Islands; 1F1E8 1F1E8; +๐Ÿ‡จ๐Ÿ‡ฉ flag: Congo - Kinshasa; 1F1E8 1F1E9; +๐Ÿ‡จ๐Ÿ‡ซ flag: Central African Republic; 1F1E8 1F1EB; +๐Ÿ‡จ๐Ÿ‡ฌ flag: Congo - Brazzaville; 1F1E8 1F1EC; +๐Ÿ‡จ๐Ÿ‡ญ flag: Switzerland; 1F1E8 1F1ED; +๐Ÿ‡จ๐Ÿ‡ฎ flag: Cรดte dโ€™Ivoire; 1F1E8 1F1EE; +๐Ÿ‡จ๐Ÿ‡ฐ flag: Cook Islands; 1F1E8 1F1F0; +๐Ÿ‡จ๐Ÿ‡ฑ flag: Chile; 1F1E8 1F1F1; +๐Ÿ‡จ๐Ÿ‡ฒ flag: Cameroon; 1F1E8 1F1F2; +๐Ÿ‡จ๐Ÿ‡ณ flag: China; 1F1E8 1F1F3; +๐Ÿ‡จ๐Ÿ‡ด flag: Colombia; 1F1E8 1F1F4; +๐Ÿ‡จ๐Ÿ‡ต flag: Clipperton Island; 1F1E8 1F1F5; +๐Ÿ‡จ๐Ÿ‡ท flag: Costa Rica; 1F1E8 1F1F7; +๐Ÿ‡จ๐Ÿ‡บ flag: Cuba; 1F1E8 1F1FA; +๐Ÿ‡จ๐Ÿ‡ป flag: Cape Verde; 1F1E8 1F1FB; +๐Ÿ‡จ๐Ÿ‡ผ flag: Curaรงao; 1F1E8 1F1FC; +๐Ÿ‡จ๐Ÿ‡ฝ flag: Christmas Island; 1F1E8 1F1FD; +๐Ÿ‡จ๐Ÿ‡พ flag: Cyprus; 1F1E8 1F1FE; +๐Ÿ‡จ๐Ÿ‡ฟ flag: Czechia; 1F1E8 1F1FF; +๐Ÿ‡ฉ๐Ÿ‡ช flag: Germany; 1F1E9 1F1EA; +๐Ÿ‡ฉ๐Ÿ‡ฌ flag: Diego Garcia; 1F1E9 1F1EC; +๐Ÿ‡ฉ๐Ÿ‡ฏ flag: Djibouti; 1F1E9 1F1EF; +๐Ÿ‡ฉ๐Ÿ‡ฐ flag: Denmark; 1F1E9 1F1F0; +๐Ÿ‡ฉ๐Ÿ‡ฒ flag: Dominica; 1F1E9 1F1F2; +๐Ÿ‡ฉ๐Ÿ‡ด flag: Dominican Republic; 1F1E9 1F1F4; +๐Ÿ‡ฉ๐Ÿ‡ฟ flag: Algeria; 1F1E9 1F1FF; +๐Ÿ‡ช๐Ÿ‡ฆ flag: Ceuta & Melilla; 1F1EA 1F1E6; +๐Ÿ‡ช๐Ÿ‡จ flag: Ecuador; 1F1EA 1F1E8; +๐Ÿ‡ช๐Ÿ‡ช flag: Estonia; 1F1EA 1F1EA; +๐Ÿ‡ช๐Ÿ‡ฌ flag: Egypt; 1F1EA 1F1EC; +๐Ÿ‡ช๐Ÿ‡ญ flag: Western Sahara; 1F1EA 1F1ED; +๐Ÿ‡ช๐Ÿ‡ท flag: Eritrea; 1F1EA 1F1F7; +๐Ÿ‡ช๐Ÿ‡ธ flag: Spain; 1F1EA 1F1F8; +๐Ÿ‡ช๐Ÿ‡น flag: Ethiopia; 1F1EA 1F1F9; +๐Ÿ‡ช๐Ÿ‡บ flag: European Union; 1F1EA 1F1FA; +๐Ÿ‡ซ๐Ÿ‡ฎ flag: Finland; 1F1EB 1F1EE; +๐Ÿ‡ซ๐Ÿ‡ฏ flag: Fiji; 1F1EB 1F1EF; +๐Ÿ‡ซ๐Ÿ‡ฐ flag: Falkland Islands; 1F1EB 1F1F0; +๐Ÿ‡ซ๐Ÿ‡ฒ flag: Micronesia; 1F1EB 1F1F2; +๐Ÿ‡ซ๐Ÿ‡ด flag: Faroe Islands; 1F1EB 1F1F4; +๐Ÿ‡ซ๐Ÿ‡ท flag: France; 1F1EB 1F1F7; +๐Ÿ‡ฌ๐Ÿ‡ฆ flag: Gabon; 1F1EC 1F1E6; +๐Ÿ‡ฌ๐Ÿ‡ง flag: United Kingdom; 1F1EC 1F1E7; +๐Ÿ‡ฌ๐Ÿ‡ฉ flag: Grenada; 1F1EC 1F1E9; +๐Ÿ‡ฌ๐Ÿ‡ช flag: Georgia; 1F1EC 1F1EA; +๐Ÿ‡ฌ๐Ÿ‡ซ flag: French Guiana; 1F1EC 1F1EB; +๐Ÿ‡ฌ๐Ÿ‡ฌ flag: Guernsey; 1F1EC 1F1EC; +๐Ÿ‡ฌ๐Ÿ‡ญ flag: Ghana; 1F1EC 1F1ED; +๐Ÿ‡ฌ๐Ÿ‡ฎ flag: Gibraltar; 1F1EC 1F1EE; +๐Ÿ‡ฌ๐Ÿ‡ฑ flag: Greenland; 1F1EC 1F1F1; +๐Ÿ‡ฌ๐Ÿ‡ฒ flag: Gambia; 1F1EC 1F1F2; +๐Ÿ‡ฌ๐Ÿ‡ณ flag: Guinea; 1F1EC 1F1F3; +๐Ÿ‡ฌ๐Ÿ‡ต flag: Guadeloupe; 1F1EC 1F1F5; +๐Ÿ‡ฌ๐Ÿ‡ถ flag: Equatorial Guinea; 1F1EC 1F1F6; +๐Ÿ‡ฌ๐Ÿ‡ท flag: Greece; 1F1EC 1F1F7; +๐Ÿ‡ฌ๐Ÿ‡ธ flag: South Georgia & South Sandwich Islands; 1F1EC 1F1F8; +๐Ÿ‡ฌ๐Ÿ‡น flag: Guatemala; 1F1EC 1F1F9; +๐Ÿ‡ฌ๐Ÿ‡บ flag: Guam; 1F1EC 1F1FA; +๐Ÿ‡ฌ๐Ÿ‡ผ flag: Guinea-Bissau; 1F1EC 1F1FC; +๐Ÿ‡ฌ๐Ÿ‡พ flag: Guyana; 1F1EC 1F1FE; +๐Ÿ‡ญ๐Ÿ‡ฐ flag: Hong Kong SAR China; 1F1ED 1F1F0; +๐Ÿ‡ญ๐Ÿ‡ฒ flag: Heard & McDonald Islands; 1F1ED 1F1F2; +๐Ÿ‡ญ๐Ÿ‡ณ flag: Honduras; 1F1ED 1F1F3; +๐Ÿ‡ญ๐Ÿ‡ท flag: Croatia; 1F1ED 1F1F7; +๐Ÿ‡ญ๐Ÿ‡น flag: Haiti; 1F1ED 1F1F9; +๐Ÿ‡ญ๐Ÿ‡บ flag: Hungary; 1F1ED 1F1FA; +๐Ÿ‡ฎ๐Ÿ‡จ flag: Canary Islands; 1F1EE 1F1E8; +๐Ÿ‡ฎ๐Ÿ‡ฉ flag: Indonesia; 1F1EE 1F1E9; +๐Ÿ‡ฎ๐Ÿ‡ช flag: Ireland; 1F1EE 1F1EA; +๐Ÿ‡ฎ๐Ÿ‡ฑ flag: Israel; 1F1EE 1F1F1; +๐Ÿ‡ฎ๐Ÿ‡ฒ flag: Isle of Man; 1F1EE 1F1F2; +๐Ÿ‡ฎ๐Ÿ‡ณ flag: India; 1F1EE 1F1F3; +๐Ÿ‡ฎ๐Ÿ‡ด flag: British Indian Ocean Territory; 1F1EE 1F1F4; +๐Ÿ‡ฎ๐Ÿ‡ถ flag: Iraq; 1F1EE 1F1F6; +๐Ÿ‡ฎ๐Ÿ‡ท flag: Iran; 1F1EE 1F1F7; +๐Ÿ‡ฎ๐Ÿ‡ธ flag: Iceland; 1F1EE 1F1F8; +๐Ÿ‡ฎ๐Ÿ‡น flag: Italy; 1F1EE 1F1F9; +๐Ÿ‡ฏ๐Ÿ‡ช flag: Jersey; 1F1EF 1F1EA; +๐Ÿ‡ฏ๐Ÿ‡ฒ flag: Jamaica; 1F1EF 1F1F2; +๐Ÿ‡ฏ๐Ÿ‡ด flag: Jordan; 1F1EF 1F1F4; +๐Ÿ‡ฏ๐Ÿ‡ต flag: Japan; 1F1EF 1F1F5; +๐Ÿ‡ฐ๐Ÿ‡ช flag: Kenya; 1F1F0 1F1EA; +๐Ÿ‡ฐ๐Ÿ‡ฌ flag: Kyrgyzstan; 1F1F0 1F1EC; +๐Ÿ‡ฐ๐Ÿ‡ญ flag: Cambodia; 1F1F0 1F1ED; +๐Ÿ‡ฐ๐Ÿ‡ฎ flag: Kiribati; 1F1F0 1F1EE; +๐Ÿ‡ฐ๐Ÿ‡ฒ flag: Comoros; 1F1F0 1F1F2; +๐Ÿ‡ฐ๐Ÿ‡ณ flag: St. Kitts & Nevis; 1F1F0 1F1F3; +๐Ÿ‡ฐ๐Ÿ‡ต flag: North Korea; 1F1F0 1F1F5; +๐Ÿ‡ฐ๐Ÿ‡ท flag: South Korea; 1F1F0 1F1F7; +๐Ÿ‡ฐ๐Ÿ‡ผ flag: Kuwait; 1F1F0 1F1FC; +๐Ÿ‡ฐ๐Ÿ‡พ flag: Cayman Islands; 1F1F0 1F1FE; +๐Ÿ‡ฐ๐Ÿ‡ฟ flag: Kazakhstan; 1F1F0 1F1FF; +๐Ÿ‡ฑ๐Ÿ‡ฆ flag: Laos; 1F1F1 1F1E6; +๐Ÿ‡ฑ๐Ÿ‡ง flag: Lebanon; 1F1F1 1F1E7; +๐Ÿ‡ฑ๐Ÿ‡จ flag: St. Lucia; 1F1F1 1F1E8; +๐Ÿ‡ฑ๐Ÿ‡ฎ flag: Liechtenstein; 1F1F1 1F1EE; +๐Ÿ‡ฑ๐Ÿ‡ฐ flag: Sri Lanka; 1F1F1 1F1F0; +๐Ÿ‡ฑ๐Ÿ‡ท flag: Liberia; 1F1F1 1F1F7; +๐Ÿ‡ฑ๐Ÿ‡ธ flag: Lesotho; 1F1F1 1F1F8; +๐Ÿ‡ฑ๐Ÿ‡น flag: Lithuania; 1F1F1 1F1F9; +๐Ÿ‡ฑ๐Ÿ‡บ flag: Luxembourg; 1F1F1 1F1FA; +๐Ÿ‡ฑ๐Ÿ‡ป flag: Latvia; 1F1F1 1F1FB; +๐Ÿ‡ฑ๐Ÿ‡พ flag: Libya; 1F1F1 1F1FE; +๐Ÿ‡ฒ๐Ÿ‡ฆ flag: Morocco; 1F1F2 1F1E6; +๐Ÿ‡ฒ๐Ÿ‡จ flag: Monaco; 1F1F2 1F1E8; +๐Ÿ‡ฒ๐Ÿ‡ฉ flag: Moldova; 1F1F2 1F1E9; +๐Ÿ‡ฒ๐Ÿ‡ช flag: Montenegro; 1F1F2 1F1EA; +๐Ÿ‡ฒ๐Ÿ‡ซ flag: St. Martin; 1F1F2 1F1EB; +๐Ÿ‡ฒ๐Ÿ‡ฌ flag: Madagascar; 1F1F2 1F1EC; +๐Ÿ‡ฒ๐Ÿ‡ญ flag: Marshall Islands; 1F1F2 1F1ED; +๐Ÿ‡ฒ๐Ÿ‡ฐ flag: North Macedonia; 1F1F2 1F1F0; +๐Ÿ‡ฒ๐Ÿ‡ฑ flag: Mali; 1F1F2 1F1F1; +๐Ÿ‡ฒ๐Ÿ‡ฒ flag: Myanmar (Burma); 1F1F2 1F1F2; +๐Ÿ‡ฒ๐Ÿ‡ณ flag: Mongolia; 1F1F2 1F1F3; +๐Ÿ‡ฒ๐Ÿ‡ด flag: Macao SAR China; 1F1F2 1F1F4; +๐Ÿ‡ฒ๐Ÿ‡ต flag: Northern Mariana Islands; 1F1F2 1F1F5; +๐Ÿ‡ฒ๐Ÿ‡ถ flag: Martinique; 1F1F2 1F1F6; +๐Ÿ‡ฒ๐Ÿ‡ท flag: Mauritania; 1F1F2 1F1F7; +๐Ÿ‡ฒ๐Ÿ‡ธ flag: Montserrat; 1F1F2 1F1F8; +๐Ÿ‡ฒ๐Ÿ‡น flag: Malta; 1F1F2 1F1F9; +๐Ÿ‡ฒ๐Ÿ‡บ flag: Mauritius; 1F1F2 1F1FA; +๐Ÿ‡ฒ๐Ÿ‡ป flag: Maldives; 1F1F2 1F1FB; +๐Ÿ‡ฒ๐Ÿ‡ผ flag: Malawi; 1F1F2 1F1FC; +๐Ÿ‡ฒ๐Ÿ‡ฝ flag: Mexico; 1F1F2 1F1FD; +๐Ÿ‡ฒ๐Ÿ‡พ flag: Malaysia; 1F1F2 1F1FE; +๐Ÿ‡ฒ๐Ÿ‡ฟ flag: Mozambique; 1F1F2 1F1FF; +๐Ÿ‡ณ๐Ÿ‡ฆ flag: Namibia; 1F1F3 1F1E6; +๐Ÿ‡ณ๐Ÿ‡จ flag: New Caledonia; 1F1F3 1F1E8; +๐Ÿ‡ณ๐Ÿ‡ช flag: Niger; 1F1F3 1F1EA; +๐Ÿ‡ณ๐Ÿ‡ซ flag: Norfolk Island; 1F1F3 1F1EB; +๐Ÿ‡ณ๐Ÿ‡ฌ flag: Nigeria; 1F1F3 1F1EC; +๐Ÿ‡ณ๐Ÿ‡ฎ flag: Nicaragua; 1F1F3 1F1EE; +๐Ÿ‡ณ๐Ÿ‡ฑ flag: Netherlands; 1F1F3 1F1F1; +๐Ÿ‡ณ๐Ÿ‡ด flag: Norway; 1F1F3 1F1F4; +๐Ÿ‡ณ๐Ÿ‡ต flag: Nepal; 1F1F3 1F1F5; +๐Ÿ‡ณ๐Ÿ‡ท flag: Nauru; 1F1F3 1F1F7; +๐Ÿ‡ณ๐Ÿ‡บ flag: Niue; 1F1F3 1F1FA; +๐Ÿ‡ณ๐Ÿ‡ฟ flag: New Zealand; 1F1F3 1F1FF; +๐Ÿ‡ด๐Ÿ‡ฒ flag: Oman; 1F1F4 1F1F2; +๐Ÿ‡ต๐Ÿ‡ฆ flag: Panama; 1F1F5 1F1E6; +๐Ÿ‡ต๐Ÿ‡ช flag: Peru; 1F1F5 1F1EA; +๐Ÿ‡ต๐Ÿ‡ซ flag: French Polynesia; 1F1F5 1F1EB; +๐Ÿ‡ต๐Ÿ‡ฌ flag: Papua New Guinea; 1F1F5 1F1EC; +๐Ÿ‡ต๐Ÿ‡ญ flag: Philippines; 1F1F5 1F1ED; +๐Ÿ‡ต๐Ÿ‡ฐ flag: Pakistan; 1F1F5 1F1F0; +๐Ÿ‡ต๐Ÿ‡ฑ flag: Poland; 1F1F5 1F1F1; +๐Ÿ‡ต๐Ÿ‡ฒ flag: St. Pierre & Miquelon; 1F1F5 1F1F2; +๐Ÿ‡ต๐Ÿ‡ณ flag: Pitcairn Islands; 1F1F5 1F1F3; +๐Ÿ‡ต๐Ÿ‡ท flag: Puerto Rico; 1F1F5 1F1F7; +๐Ÿ‡ต๐Ÿ‡ธ flag: Palestinian Territories; 1F1F5 1F1F8; +๐Ÿ‡ต๐Ÿ‡น flag: Portugal; 1F1F5 1F1F9; +๐Ÿ‡ต๐Ÿ‡ผ flag: Palau; 1F1F5 1F1FC; +๐Ÿ‡ต๐Ÿ‡พ flag: Paraguay; 1F1F5 1F1FE; +๐Ÿ‡ถ๐Ÿ‡ฆ flag: Qatar; 1F1F6 1F1E6; +๐Ÿ‡ท๐Ÿ‡ช flag: Rรฉunion; 1F1F7 1F1EA; +๐Ÿ‡ท๐Ÿ‡ด flag: Romania; 1F1F7 1F1F4; +๐Ÿ‡ท๐Ÿ‡ธ flag: Serbia; 1F1F7 1F1F8; +๐Ÿ‡ท๐Ÿ‡บ flag: Russia; 1F1F7 1F1FA; +๐Ÿ‡ท๐Ÿ‡ผ flag: Rwanda; 1F1F7 1F1FC; +๐Ÿ‡ธ๐Ÿ‡ฆ flag: Saudi Arabia; 1F1F8 1F1E6; +๐Ÿ‡ธ๐Ÿ‡ง flag: Solomon Islands; 1F1F8 1F1E7; +๐Ÿ‡ธ๐Ÿ‡จ flag: Seychelles; 1F1F8 1F1E8; +๐Ÿ‡ธ๐Ÿ‡ฉ flag: Sudan; 1F1F8 1F1E9; +๐Ÿ‡ธ๐Ÿ‡ช flag: Sweden; 1F1F8 1F1EA; +๐Ÿ‡ธ๐Ÿ‡ฌ flag: Singapore; 1F1F8 1F1EC; +๐Ÿ‡ธ๐Ÿ‡ญ flag: St. Helena; 1F1F8 1F1ED; +๐Ÿ‡ธ๐Ÿ‡ฎ flag: Slovenia; 1F1F8 1F1EE; +๐Ÿ‡ธ๐Ÿ‡ฏ flag: Svalbard & Jan Mayen; 1F1F8 1F1EF; +๐Ÿ‡ธ๐Ÿ‡ฐ flag: Slovakia; 1F1F8 1F1F0; +๐Ÿ‡ธ๐Ÿ‡ฑ flag: Sierra Leone; 1F1F8 1F1F1; +๐Ÿ‡ธ๐Ÿ‡ฒ flag: San Marino; 1F1F8 1F1F2; +๐Ÿ‡ธ๐Ÿ‡ณ flag: Senegal; 1F1F8 1F1F3; +๐Ÿ‡ธ๐Ÿ‡ด flag: Somalia; 1F1F8 1F1F4; +๐Ÿ‡ธ๐Ÿ‡ท flag: Suriname; 1F1F8 1F1F7; +๐Ÿ‡ธ๐Ÿ‡ธ flag: South Sudan; 1F1F8 1F1F8; +๐Ÿ‡ธ๐Ÿ‡น flag: Sรฃo Tomรฉ & Prรญncipe; 1F1F8 1F1F9; +๐Ÿ‡ธ๐Ÿ‡ป flag: El Salvador; 1F1F8 1F1FB; +๐Ÿ‡ธ๐Ÿ‡ฝ flag: Sint Maarten; 1F1F8 1F1FD; +๐Ÿ‡ธ๐Ÿ‡พ flag: Syria; 1F1F8 1F1FE; +๐Ÿ‡ธ๐Ÿ‡ฟ flag: Eswatini; 1F1F8 1F1FF; +๐Ÿ‡น๐Ÿ‡ฆ flag: Tristan da Cunha; 1F1F9 1F1E6; +๐Ÿ‡น๐Ÿ‡จ flag: Turks & Caicos Islands; 1F1F9 1F1E8; +๐Ÿ‡น๐Ÿ‡ฉ flag: Chad; 1F1F9 1F1E9; +๐Ÿ‡น๐Ÿ‡ซ flag: French Southern Territories; 1F1F9 1F1EB; +๐Ÿ‡น๐Ÿ‡ฌ flag: Togo; 1F1F9 1F1EC; +๐Ÿ‡น๐Ÿ‡ญ flag: Thailand; 1F1F9 1F1ED; +๐Ÿ‡น๐Ÿ‡ฏ flag: Tajikistan; 1F1F9 1F1EF; +๐Ÿ‡น๐Ÿ‡ฐ flag: Tokelau; 1F1F9 1F1F0; +๐Ÿ‡น๐Ÿ‡ฑ flag: Timor-Leste; 1F1F9 1F1F1; +๐Ÿ‡น๐Ÿ‡ฒ flag: Turkmenistan; 1F1F9 1F1F2; +๐Ÿ‡น๐Ÿ‡ณ flag: Tunisia; 1F1F9 1F1F3; +๐Ÿ‡น๐Ÿ‡ด flag: Tonga; 1F1F9 1F1F4; +๐Ÿ‡น๐Ÿ‡ท flag: Turkey; 1F1F9 1F1F7; +๐Ÿ‡น๐Ÿ‡น flag: Trinidad & Tobago; 1F1F9 1F1F9; +๐Ÿ‡น๐Ÿ‡ป flag: Tuvalu; 1F1F9 1F1FB; +๐Ÿ‡น๐Ÿ‡ผ flag: Taiwan; 1F1F9 1F1FC; +๐Ÿ‡น๐Ÿ‡ฟ flag: Tanzania; 1F1F9 1F1FF; +๐Ÿ‡บ๐Ÿ‡ฆ flag: Ukraine; 1F1FA 1F1E6; +๐Ÿ‡บ๐Ÿ‡ฌ flag: Uganda; 1F1FA 1F1EC; +๐Ÿ‡บ๐Ÿ‡ฒ flag: U.S. Outlying Islands; 1F1FA 1F1F2; +๐Ÿ‡บ๐Ÿ‡ณ flag: United Nations; 1F1FA 1F1F3; +๐Ÿ‡บ๐Ÿ‡ธ flag: United States; 1F1FA 1F1F8; +๐Ÿ‡บ๐Ÿ‡พ flag: Uruguay; 1F1FA 1F1FE; +๐Ÿ‡บ๐Ÿ‡ฟ flag: Uzbekistan; 1F1FA 1F1FF; +๐Ÿ‡ป๐Ÿ‡ฆ flag: Vatican City; 1F1FB 1F1E6; +๐Ÿ‡ป๐Ÿ‡จ flag: St. Vincent & Grenadines; 1F1FB 1F1E8; +๐Ÿ‡ป๐Ÿ‡ช flag: Venezuela; 1F1FB 1F1EA; +๐Ÿ‡ป๐Ÿ‡ฌ flag: British Virgin Islands; 1F1FB 1F1EC; +๐Ÿ‡ป๐Ÿ‡ฎ flag: U.S. Virgin Islands; 1F1FB 1F1EE; +๐Ÿ‡ป๐Ÿ‡ณ flag: Vietnam; 1F1FB 1F1F3; +๐Ÿ‡ป๐Ÿ‡บ flag: Vanuatu; 1F1FB 1F1FA; +๐Ÿ‡ผ๐Ÿ‡ซ flag: Wallis & Futuna; 1F1FC 1F1EB; +๐Ÿ‡ผ๐Ÿ‡ธ flag: Samoa; 1F1FC 1F1F8; +๐Ÿ‡ฝ๐Ÿ‡ฐ flag: Kosovo; 1F1FD 1F1F0; +๐Ÿ‡พ๐Ÿ‡ช flag: Yemen; 1F1FE 1F1EA; +๐Ÿ‡พ๐Ÿ‡น flag: Mayotte; 1F1FE 1F1F9; +๐Ÿ‡ฟ๐Ÿ‡ฆ flag: South Africa; 1F1FF 1F1E6; +๐Ÿ‡ฟ๐Ÿ‡ฒ flag: Zambia; 1F1FF 1F1F2; +๐Ÿ‡ฟ๐Ÿ‡ผ flag: Zimbabwe; 1F1FF 1F1FC; +๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ flag: England; 1F3F4725E7F; +๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ flag: Scotland; 1F3F472334F; +๐Ÿด๓ ง๓ ข๓ ท๓ ฌ๓ ณ๓ ฟ flag: Wales; 1F3F4727C3F; diff --git a/dotfiles/system/.local/share/fonts/AppleColorEmoji.ttf b/dotfiles/system/.local/share/fonts/AppleColorEmoji.ttf new file mode 100644 index 0000000..a2410e0 Binary files /dev/null and b/dotfiles/system/.local/share/fonts/AppleColorEmoji.ttf differ diff --git a/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.otf b/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.otf new file mode 100644 index 0000000..bfbf049 Binary files /dev/null and b/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.otf differ diff --git a/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.ttf b/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.ttf new file mode 100644 index 0000000..8360c44 Binary files /dev/null and b/dotfiles/system/.local/share/fonts/BerkeleyMono-Bold.ttf differ diff --git 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Technology +== Martin Heidegger == + +In what follows we shall be questioning concerning technology. Questioning builds a way. We would be advised, therefore, above all to pay heed to the way, and not to fix our attention on isolated sentences and topics. The way is a way of thinking. All ways of thinking, more or less perceptibly, lead through language in a manner that is extraordinary. We shall be questioning concerning technology, and in so doing we should like to prepare a free relationship to it. The relationship will be free if it opens our human existence to the essence of technology. When we can respond to this essence, we shall be able to experience the technological within its own bounds. + +Technology is not equivalent to the essence of technology. When we are seeking the essence of โ€œtree,โ€ we have to become aware that that which pervades every tree, as tree, is not itself a tree that can be encountered among all the other trees. Likewise, the essence of technology is by no means anything technological. Thus we shall never experience our relationship to the essence of technology so long as we merely conceive and push forward the technological, put up with it, or evade it. Everywhere we remain unfree and chained to technology, whether we passionately affirm or deny it. But we are delivered over to it in the worst possible way when we regard it as something neutral; for this conception of it, to which today we particularly like to do homage, makes us utterly blind to the essence of technology. + +According to ancient doctrine, the essence of a thing is considered to be what the thing is. We ask the question concerning technology when we ask what it is. Everyone knows the two statements that answer our question. One says: Technology is a means to an end. The other says: Technology is a human activity. The two definitions of technology belong together. For to posit ends and procure and utilize the means to them is a human activity. The manufacture and utilization of equipment, tools, and machines, the manufactured and used things themselves, and the needs and ends that they serve, all belong to what technology is. The whole complex of these contrivances is technology. Technology itself is a contrivance, or, in Latin, an instrumentum. + +The current conception of technology, according to which it is a means and a human activity, can therefore be called the instrumental and anthropological definition of technology. Who would ever deny that it is correct? It is in obvious conformity with what we are envisioning when we talk about technology. The instrumental definition of technology is indeed so uncannily correct that it even holds for modern technology, of which, in other respects, we maintain with some justification that it is, in contrast to the older handwork technology, something completely different and therefore new. Even the power plant with its turbines and generators is a manmade means to an end established by man. Even the jet aircraft and the high-frequency apparatus are means to ends. A radar station is of course less simple than a weather vane. To be sure, the construction of a high-frequency apparatus requires the interlocking of various processes of technical-industrial production. And certainly a sawmill in a secluded valley of the Black Forest is a primitive means compared with the hydroelectric plant in the Rhine River. + +But this much remains correct: modern technology too is a means to an end. That is why the instrumental conception of technology conditions every attempt to bring man into the right relation to technology. Everything depends on our manipulating technology in the proper manner as a means. We will, as we say, โ€œgetโ€ technology โ€œspiritually in hand.โ€ We will master it. The will to mastery becomes all the more urgent the more technology threatens to slip from human control. + +But suppose now that technology were no mere means, how would it stand with the will to master it? Yet we said, did we not, that the instrumental definition of technology is correct? To be sure. The correct always fixes upon something pertinent in whatever is under consideration. However, in order to be correct, this fixing by no means needs to uncover the thing in question in its essence. Only at the point where such an uncovering happens does the true come to pass. For that reason the merely correct is not yet the true. Only the true brings us into a free relationship with that which concerns us from out of its essence. Accordingly, the correct instrumental definition of technology still does not show us technologyโ€™s essence. + +In order that we may arrive at this, or at least come close to it, we must seek the true by way of the correct. We must ask: What is the instrumental itself? Within what do such things as means and end belong? A means is that whereby something is effected and thus attained. Whatever has an effect as its consequence is called a cause. But not only that by means of which something else is effected is a cause. The end in keeping with which the kind of means to be used is determined is also considered a cause. Wherever ends are pursued and means are employed, wherever instrumentality reigns, there reigns causality. + +For centuries philosophy has taught that there are four causes: (1) the causa materialis, the material, the matter out of which, for example, a silver chalice is made; (2) the causa formalis, the form, the shape into which the material enters; (3) the causa finalis, the end, for example, the sacrificial rite in relation to which the chalice required is determined as to its form and matter; and (4) the causa efficiens, which brings about the effect that is the finished, actual chalice, in this instance, the silversmith. What technology is, when represented as a means, discloses itself when we trace instrumentality back to fourfold causality. + +But suppose that causality, for its part, is veiled in darkness with respect to what it is? Certainly for centuries we have acted as though the doctrine of the four causes had fallen from heaven as a truth as clear as daylight. But it might be that the time has come to ask, Why are there just four causes? In relation to the aforementioned four, what does โ€œcauseโ€ really mean? From whence does it come that the causal character of the four causes is so unifiedly determined that they belong together? + +So long as we do not allow ourselves to go into these questions, causality, and with it instrumentality, and with the latter the accepted definition of technology, remain obscure and groundless. + +For a long time we have been accustomed to representing cause as that which brings something about. In this connection, to bring about means to obtain results, effects. The causa efficiens, but one among the four causes, sets the standard for all causality. This goes so far that we no longer even count the causa finalis, telic finality, as causality. Causa, casus, belongs to the verb cadere, โ€œto fall,โ€ and means that which brings it about that something falls out as a result in such and such a way. The doctrine of the four causes goes back to Aristotle. But everything that later ages seek in Greek thought under the conception and rubric โ€œcausality,โ€ in the realm of Greek thought and for Greek thought per se has simply nothing at all to do with bringing about and effecting. What we call cause [Ursache] and the Romans call causa is called aition by the Greeks, that to which something else is indebted [das, was ein anderes verschuldet]. + +The four causes are the ways, all belonging at once to each other, of being responsible for something else. An example can clarify this. + +Silver is that out of which the silver chalice is made. As this matter (hyle), it is co-responsible for the chalice. The chalice is indebted to, that is, owes thanks to, the silver for that out of which it consists. But the sacrificial vessel is indebted not only to the silver. As a chalice, that which is indebted to the silver appears in the aspect of a chalice and not in that of a brooch or a ring. Thus the sacrificial vessel is at the same time indebted to the aspect (eidos) of chaliceness. Both the silver into which the aspect is admitted as chalice and the aspect in which the silver appears are in their respective ways co-responsible for the sacrificial vessel. + +But there remains yet a third that is above all responsible for the sacrificial vessel. It is that which in advance confines the chalice within the realm of consecration and bestowal. Through this the chalice is circumscribed as sacrificial vessel. Circumscribing gives bounds to the thing. With the bounds the thing does not stop; rather from out of them it begins to be what, after production, it will be. That which gives bounds, that which completes, in this sense is called in Greek telos, which is all too often translated as โ€œaimโ€ or โ€œpurpose,โ€ and so misinterpreted. The telos is responsible for what as matter and for what as aspect are together co-responsible for the sacrificial vessel. + +Finally there is a fourth participant in the responsibility for the finished sacrificial vesselโ€™s lying before us ready for use, that is, the silversmith โ€” but not at all because he, in working, brings about the finished sacrificial chalice as if it were the effect of a making; the silversmith is not a causa efficiens. + +The Aristotelian doctrine neither knows the cause that is named by this term nor uses a Greek word that would correspond to it. The silversmith considers carefully and gathers together the three aforementioned ways of being responsible and indebted. To consider carefully [รผberlegen] is in Greek legein, logos. Legein is rooted in apophainesthai, to bring forward into appearance. The silversmith is co-responsible as that from whence the sacrificial vesselโ€™s bringing forth and resting-in-self take and retain their first departure. The three previously mentioned ways of being responsible owe thanks to the pondering of the silversmith for the โ€œthatโ€ and the โ€œhowโ€ of their coming into appearance and into play for the production of the sacrificial vessel. + +Thus four ways of being responsible hold sway in the sacrificial vessel that lies ready before us. They differ from one another, yet they belong together. What unites them from the beginning? In what does this playing in unison of the four ways of being responsible play? What is the source of the unity of the four causes? What, after all, does this owing and being responsible mean, thought as the Greeks thought it? + +Today we are too easily inclined either to understand being responsible and being indebted moralistically as a lapse, or else to construe them in terms of effecting. In either case we bar to ourselves the way to the primal meaning of that which is later called causality. So long as this way is not opened up to us we shall also fail to see what instrumentality, which is based on causality, actually is. + +In order to guard against such misinterpretations of being responsible and being indebted, let us clarify the four ways of being responsible in terms of that for which they are responsible. According to our example, they are responsible for the silver chaliceโ€™s lying ready before us as a sacrificial vessel. Lying before and lying ready (hypokeisthai) characterize the presencing of something that presences. The four ways of being responsible bring something into appearance. They let it come forth into presencing [An-wesen]. They set it free to that place and so start it on its way, namely, into its complete arrival. The principal characteristic of being responsible is this starting something on its way into arrival. It is in the sense of such a starting something on its way into arrival that being responsible is an occasioning or an inducing to go forward [ver-anlassen]. On the basis of a look at what the Greeks experienced in being responsible, in aitia, we now give this verb โ€œto occasionโ€ a more inclusive meaning, so that it now is the name for the essence of causality thought as the Greeks thought it. The common and narrower meaning of โ€œoccasionโ€ in contrast is nothing more than striking against and releasing, and means a kind of secondary cause within the whole of causality. + +But in what, then, does the playing in unison of the four ways of occasioning play? They let what is not yet present arrive into presencing. Accordingly, they are unifiedly ruled over by a bringing that brings what presences into appearance. Plato tells us what this bringing is in a sentence from the Symposium (205b): hฤ“ gar toi ek tou mฤ“ onton eis to on ionti hotลioun aitia pasa esti poiฤ“sis. โ€œEvery occasion for whatever passes over and goes forward into presencing from that which is not presencing is poiฤ“sis, is bringing-forth [hervor-bringen].โ€ It is of utmost importance that we think bringing-forth in its full scope and at the same time in the sense in which the Greeks thought it. Not only handcraft manufacture, not only artistic and poetical bringing into appearance and concrete imagery, is a bringing-forth, poiฤ“sis. Physis also, the arising of something from out of itself, is a bringing-forth, poiฤ“sis. Physis is indeed poiฤ“sis in the highest sense. For what presences by means of physis has the bursting open belonging to bringing-forth, for example, the bursting of a blossom into bloom, in itself (en heautลi). In contrast, what is brought forth by the artisan or the artist, for example, the silver chalice, has the bursting open belonging to bringing-forth not in itself, but in another (en allลi), in the craftsman or artist. + +The modes of occasioning, the four causes, are at play, then, within bringing-forth. Through bringing-forth, the growing things of nature as well as whatever is completed through the crafts and the arts come at any given time to their appearance. But how does bringing-forth happen, be it in nature or in handwork and art? What is the bringing-forth in which the fourfold way of occasioning plays? Occasioning has to do with the presencing [Anwesen] of that which at any given time comes to appearance in bringing-forth. Bringing-forth brings hither out of concealment forth into unconcealment. Bringing-forth comes to pass only insofar as something concealed comes into unconcealment. This coming rests and moves freely within what we call revealing [das Entbergen]. The Greeks have the word alฤ“theia for revealing. The Romans translate this with veritas. We say โ€œtruthโ€ and usually understand it as the correctness of an idea. + +But where have we strayed to? We are questioning concerning technology, and we have arrived now at alฤ“theia, at revealing. What has the essence of technology to do with revealing? The answer: everything. For every bringing-forth is grounded in revealing. Bringing-forth, indeed, gathers within itself the four modes of occasioningโ€”causalityโ€”and rules them throughout. Within its domain belong end and means, belongs instrumentality. + +Instrumentality is considered to be the fundamental characteristic of technology. If we inquire, step by step, into what technology, represented as means, actually is, then we shall arrive at revealing. The possibility of all productive manufacturing lies in revealing. Technology is therefore no mere means. Technology is a way of revealing. If we give heed to this, then another whole realm for the essence of technology will open itself up to us. It is the realm of revealing, that is, of truth. + +This prospect strikes us as strange. Indeed, it should do so, should do so as persistently as possible and with so much urgency that we will finally take seriously the simple question of what the name โ€œtechnologyโ€ means. The word stems from the Greek. Technikon means that which belongs to technฤ“. We must observe two things with respect to the meaning of this word. One is that technฤ“ is the name not only for the activities and skills of the craftsman, but also for the arts of the mind and the fine arts. Technฤ“ belongs to bringingforth, to poiฤ“sis; it is something poietic. The other point that we should observe with regard to technฤ“ is even more important. From earliest times until Plato the word technฤ“ is linked with the word epistฤ“mฤ“. Both words are names for knowing in the widest sense. They mean to be entirely at home in something, to understand and be expert in it. Such knowing provides an opening up. As an opening up it is a revealing. Aristotle, in a discussion of special importance (Nicomachean Ethics, Bk. VI, chaps. 3 and 4), distinguishes between epistฤ“mฤ“ and technฤ“ and indeed with respect to what and how they reveal. Technฤ“ is a mode of alฤ“theuein. It reveals whatever does not bring itself forth and does not yet lie here before us, whatever can look and turn out now one way and now another. Whoever builds a house or a ship or forges a sacrificial chalice reveals what is to be brought forth, according to the perspectives of the four modes of occasioning. This revealing gathers together in advance the aspect and the matter of ship or house, with a view to the finished thing envisioned as completed, and from this gathering determines the manner of its construction. Thus what is decisive in technฤ“ does not lie at all in making and manipulating nor in the using of means, but rather in the aforementioned revealing. It is as revealing, and not as manufacturing, that technฤ“ is a bringing forth. Thus the clue to what the word technฤ“ means and to how the Greeks defined it leads us into the same context that opened itself to us when we pursued the question of what instrumentality as such in truth might be. + +Technology is a mode of revealing. Technology comes to presence in the realm where revealing and unconcealment take place, where alฤ“theia, truth, happens. + +In opposition to this definition of the essential domain of technology, one can object that it indeed holds for Greek thought and that at best it might apply to the techniques of the handcraftsman, but that it simply does not fit modern machine-powered technology. And it is precisely the latter and it alone that is the disturbing thing, that moves us to ask the question concerning technology per se. It is said that modern technology is something incomparably different from all earlier technologies because it is based on modern physics as an exact science. Meanwhile we have come to understand more clearly that the reverse holds true as well: Modern physics, as experimental, is dependent upon technical apparatus and upon progress in the building of apparatus. The establishing of this mutual relationship between technology and physics is correct. But it remains a merely historiographical establishing of facts and says nothing about that in which this mutual relationship is grounded. The decisive question still remains: Of what essence is modern technology that it happens to think of putting exact science to use? What is modern technology? It too is a revealing. Only when we allow our attention to rest on this fundamental characteristic does that which is new in modern technology show itself to us. + +And yet the revealing that holds sway throughout modern technology does not unfold into a bringing-forth in the sense of poiฤ“sis. The revealing that rules in modern technology is challenging [herausfordern], which puts to nature the unreasonable demand that it supply energy that can be extracted and stored as such. But does this not hold true for the old windmill as well? No. Its sails do indeed turn in the wind; they are left entirely to the windโ€™s blowing. But the windmill does not unlock energy from the air currents in order to store it. + +In contrast, a tract of land is challenged into the putting out of coal and ore. The earth now reveals itself as a coal mining district, the soil as a mineral deposit. The field that the peasant formerly cultivated and set in order appears differently than it did when to set in order still meant to take care of and to maintain. The work of the peasant does not challenge the soil of the field. In the sowing of the grain it places the seed in the keeping of the forces of growth and watches over its increase. But meanwhile even the cultivation of the field has come under the grip of another kind of setting-in-order, which sets upon nature. It sets upon it in the sense of challenging it. + +Agriculture is now the mechanized food industry. Air is now set upon to yield nitrogen, the earth to yield ore, ore to yield uranium, for example; uranium is set upon to yield atomic energy, which can be released either for destruction or for peaceful use. + +This setting-upon that challenges forth the energies of nature is an expediting, and in two ways. It expedites in that it unlocks and exposes. Yet that expediting is always itself directed from the beginning toward furthering something else, i.e., toward driving on to the maximum yield at the minimum expense. The coal that has been hauled out in some mining district has not been supplied in order that it may simply be present somewhere or other. It is stockpiled; that is, it is on call, ready to deliver the sunโ€™s warmth that is stored in it. The sunโ€™s warmth is challenged forth for heat, which in turn is ordered to deliver steam whose pressure turns the wheels that keep a factory running. + +The hydroelectric plant is set into the current of the Rhine. It sets the Rhine to supplying its hydraulic pressure, which then sets the turbines turning. This turning sets those machines in motion whose thrust sets going the electric current for which the long-distance power station and its network of cables are set up to dispatch electricity. In the context of the interlocking processes pertaining to the orderly disposition of electrical energy, even the Rhine itself appears as something at our command. The hydroelectric plant is not built into the Rhine River as was the old wooden bridge that joined bank with bank for hundreds of years. Rather the river is dammed up into the power plant. What the river is now, namely, a water power supplier, derives from out of the essence of the power station. In order that we may even remotely consider the monstrousness that reigns here, let us ponder for a moment the contrast that speaks out of the two titles, โ€œThe Rhineโ€ as dammed up into the power works, and โ€œThe Rhineโ€ as uttered out of the art work, in Hรถlderlinโ€™s hymn by that name. But, it will be replied, the Rhine is still a river in the landscape, is it not? Perhaps. But how? In no other way than as an object on call for inspection by a tour group ordered there by the vacation industry. + +The revealing that rules throughout modern technology has the character of a setting-upon, in the sense of a challenging-forth. That challenging happens in that the energy concealed in nature is unlocked, what is unlocked is transformed, what is transformed is stored up, what is stored up is, in turn, distributed, and what is distributed is switched about ever anew. Unlocking, transforming, storing, distributing, and switching about are ways of revealing. But the revealing never simply comes to an end. Neither does it run off into the indeterminate. The revealing reveals to itself its own manifoldly interlocking paths, through regulating their course. This regulating itself is, for its part, everywhere secured. Regulating and securing even become the chief characteristics of the challenging revealing. + +What kind of unconcealment is it, then, that is peculiar to that which comes to stand forth through this setting-upon that challenges? Everywhere everything is ordered to stand by, to be immediately at hand, indeed to stand there just so that it may be on call for a further ordering. Whatever is ordered about in this way has its own standing. We call it the standing-reserve [Bestand]. The word expresses here something more, and something more essential, than mere โ€œstock.โ€ The name โ€œstanding-reserveโ€ assumes the rank of an inclusive rubric. It designates nothing less than the way in which everything presences that is wrought upon by the challenging revealing. Whatever stands by in the sense of standing-reserve no longer stands over against us as object. + +Yet an airliner that stands on the runway is surely an object. Certainly. We can represent the machine so. But then it conceals itself as to what and how it is. Revealed, it stands on the taxi strip only as standing-reserve, inasmuch as it is ordered to ensure the possibility of transportation. For this it must be in its whole structure and in every one of its constituent parts, on call for duty, that is, ready for takeoff. (Here it would be appropriate to discuss Hegelโ€™s definition of the machine as an autonomous tool. When applied to the tools of the craftsman, his characterization is correct. Characterized in this way, however, the machine is not thought at all from out of the essence of technology within which it belongs. Seen in terms of the standing-reserve, the machine is completely unautonomous, for it has its standing only from the ordering of the orderable.) + +The fact that now, wherever we try to point to modern technology as the challenging revealing, the words โ€œsetting-upon,โ€ โ€œordering,โ€ โ€œstanding-reserve,โ€ obtrude and accumulate in a dry, monotonous, and therefore oppressive way, has its basis in what is now coming to utterance. + +Who accomplishes the challenging setting-upon through which what we call the real is revealed as standing-reserve? Obviously, man. To what extent is man capable of such a revealing? Man can indeed conceive, fashion, and carry through this or that in one way or another. But man does not have control over unconcealment itself, in which at any given time the real shows itself or withdraws. The fact that the real has been showing itself in the light of Ideas ever since the time of Plato, Plato did not bring about. The thinker only responded to what addressed itself to him. + +Only to the extent that man for his part is already challenged to exploit the energies of nature can this ordering revealing happen. If man is challenged, ordered, to do this, then does not man himself belong even more originally than nature within the standing-reserve? The current talk about human resources, about the supply of patients for a clinic, gives evidence of this. The forester who, in the wood, measures the felled timber and to all appearances walks the same forest path in the same way as did his grandfather is today commanded by profit-making in the lumber industry, whether he knows it or not. He is made subordinate to the orderability of cellulose, which for its part is challenged forth by the need for paper, which is then delivered to newspapers and illustrated magazines. The latter, in their turn, set public opinion to swallowing what is printed, so that a set configuration of opinion becomes available on demand. Yet precisely because man is challenged more originally than are the energies of nature, that is, into the process of ordering, he never is transformed into mere standing-reserve. Since man drives technology forward, he takes part in ordering as a way of revealing. But the unconcealment itself, within which ordering unfolds, is never a human handiwork, any more than is the realm through which man is already passing every time he as a subject relates to an object. Where and how does this revealing happen if it is no mere handiwork of man? We need not look far. We need only apprehend in an unbiased way that which has already claimed man and has done so, so decisively that he can only be man at any given time as the one so claimed. Wherever man opens his eyes and ears, unlocks his heart, and gives himself over to meditating and striving, shaping and working, entreating and thanking, he finds himself everywhere already brought into the unconcealed. The unconcealment of the unconcealed has already come to pass whenever it calls man forth into the modes of revealing allotted to him. When man, in his way, from within unconcealment reveals that which presences, he merely responds to the call of unconcealment even when he contradicts it. Thus when man, investigating, observing, ensnares nature as an area of his own conceiving, he has already been claimed by a way of revealing that challenges him to approach nature as an object of research, until even the object disappears into the objectlessness of standing-reserve. + +Modern technology as an ordering revealing is, then, no merely human doing. Therefore we must take that challenging that sets upon man to order the real as standing-reserve in accordance with the way in which it shows itself. That challenging gathers man into ordering. This gathering concentrates man upon ordering the real as standing-reserve. + +That which primordially unfolds the mountains into mountain ranges and courses through them in their folded togetherness is the gathering that we call Gebirg [mountain chain]. That original gathering from which unfold the ways in which we have feelings of one kind or another we name Gemรผt [disposition]. We now name that challenging claim which gathers man thither to order the self-revealing as standing-reserve: Ge-stell [Enframing]. We dare to use this word in a sense that has been thoroughly unfamiliar up to now. + +According to ordinary usage, the word Gestell [frame] means some kind of apparatus, for example, a bookrack. Gestell is also the name for a skeleton. And the employment of the word Gestell [Enframing] that is now required of us seems equally eerie, not to speak of the arbitrariness with which words of a mature language are thus misused. Can anything be more strange? Surely not. Yet this strangeness is an old usage of thinking. And indeed thinkers accord with this usage precisely at the point where it is a matter of thinking that which is highest. We, late born, are no longer in a position to appreciate the significance of Platoโ€™s daring to use the word eidos for that which in everything and in each particular thing endures as present. For eidos, in the common speech, meant the outward aspect [Ansicht] that a visible thing offers to the physical eye. Plato exacts of this word, however, something utterly extraordinary: that it name what precisely is not and never will be perceivable with physical eyes. But even this is by no means the full extent of what is extraordinary here. For idea names not only the nonsensuous aspect of what is physically visible. Aspect (idea) names and is, also, that which constitutes the essence in the audible, the tasteable, the tactile, in everything that is in any way accessible. Compared with the demands that Plato makes on language and thought in this and other instances, the use of the word Gestell as the name for the essence of modern technology, which we now venture here, is almost harmless. Even so, the usage now required remains something exacting and is open to misinterpretation. + +Enframing means the gathering together of that setting-upon which sets upon man, i.e., challenges him forth, to reveal the real, in the mode of ordering, as standing-reserve. Enframing means that way of revealing which holds sway in the essence of modern technology and which is itself nothing technological. On the other hand, all those things that are so familiar to us and are standard parts of an assembly, such as rods, pistons, and chassis, belong to the technological. The assembly itself, however, together with the aforementioned stockparts, falls within the sphere of technological activity; and this activity always merely responds to the challenge of Enframing, but it never comprises Enframing itself or brings it about. The word stellen [to set upon] in the name Ge-stell [Enframing] not only means challenging. At the same time it should preserve the suggestion of another Stellen from which it stems, namely, that producing and presenting [her- und dar-stellen] which, in the sense of poiฤ“sis, lets what presences come forth into unconcealment. This producing that brings forthโ€”for example, the erecting of a statue in the temple precinctโ€”and the challenging ordering now under consideration are indeed fundamentally different, and yet they remain related in their essence. Both are ways of revealing, of alฤ“theia. In Enframing, that unconcealment comes to pass in conformity with which the work of modern technology reveals the real as standing-reserve. This work is therefore neither only a human activity nor a mere means within such activity. The merely instrumental, merely anthropological definition of technology is therefore in principle untenable. And it cannot be rounded out by being referred back to some metaphysical or religious explanation that undergirds it. +It remains true, nonetheless, that man in the technological age is, in a particularly striking way, challenged forth into revealing. That revealing concerns nature, above all, as the chief storehouse of the standing energy reserve. Accordingly, manโ€™s ordering attitude and behavior display themselves first in the rise of modern physics as an exact science. Modern scienceโ€™s way of representing pursues and entraps nature as a calculable coherence of forces. Modern physics is not experimental physics because it applies apparatus to the questioning of nature. Rather the reverse is true. Because physics, indeed already as pure theory, sets nature up to exhibit itself as a coherence of forces calculable in advance, it therefore orders its experiments precisely for the purpose of asking whether and how nature reports itself when set up in this way. + +But after all, mathematical physics arose almost two centuries before technology. How, then, could it have already been set upon by modern technology and placed in its service? The facts testify to the contrary. Surely technology got under way only when it could be supported by exact physical science. Reckoned chronologically, this is correct. Thought historically, it does not hit upon the truth. The modern physical theory of nature prepares the way first not simply for technology but for the essence of modern technology. For already in physics the challenging gathering-together into ordering revealing holds sway. But in it that gathering does not yet come expressly to appearance. Modern physics is the herald of Enframing, a herald whose origin is still unknown. The essence of modern technology has for a long time been concealing itself, even where power machinery has been invented, where electrical technology is in full swing, and where atomic technology is well under way. All coming to presence, not only modern technology, keeps itself everywhere concealed to the last. Nevertheless, it remains, with respect to its holding sway, that which precedes all: the earliest. The Greek thinkers already knew of this when they said: That which is earlier with regard to the arising that holds sway becomes manifest to us men only later. That which is primally early shows itself only ultimately to men. Therefore, in the realm of thinking, a painstaking effort to think through still more primally what was primally thought is not the absurd wish to revive what is past, but rather the sober readiness to be astounded before the coming of what is early. + +Chronologically speaking, modern physical science begins in the seventeenth century. In contrast, machine-power technology develops only in the second half of the eighteenth century. But modern technology, which for chronological reckoning is the later, is, from the point of view of the essence holding sway within it, the historically earlier. + +If modern physics must resign itself ever increasingly to the fact that its realm of representation remains inscrutable and incapable of being visualized, this resignation is not dictated by any committee of researchers. It is challenged forth by the rule of Enframing, which demands that nature be orderable as standing-reserve. Hence physics, in all its retreating from the representation turned only toward objects that has alone been standard till recently, will never be able to renounce this one thing: that nature reports itself in some way or other that is identifiable through calculation and that it remains orderable as a system of information. This system is determined, then, out of a causality that has changed once again. Causality now displays neither the character of the occasioning that brings forth nor the nature of the causa efficiens, let alone that of the causa formalis. It seems as though causality is shrinking into a reportingโ€”a reporting challenged forthโ€”of standing-reserves that must be guaranteed either simultaneously or in sequence. To this shrinking would correspond the process of growing resignation that Heisenbergโ€™s lecture depicts in so impressive a manner.* Because the essence of modern technology lies in Enframing, modern technology must employ exact physical science. Through its so doing, the deceptive illusion arises that modern technology is applied physical science. This illusion can maintain itself only so long as neither the essential origin of modern science nor indeed the essence of modern technology is adequately found out through questioning. + +We are questioning concerning technology in order to bring to light our relationship to its essence. The essence of modern technology shows itself in what we call Enframing. But simply to point to Where do we find ourselves brought to, if now we think one step further regarding what Enframing itself actually is? It is nothing technological, nothing on the order of a machine. It is the way in which the real reveals itself as standing-reserve. Again we ask: Does this revealing happen somewhere beyond all human doing? No. But neither does it happen exclusively in man, or decisively through man. + +Enframing is the gathering together that belongs to that setting upon which sets upon man and puts him in position to reveal the real, in the mode of ordering, as standing-reserve. As the one who is challenged forth in this way, man stands within the essential realm of Enframing. He can never take up a relationship to it only subsequently. Thus the question as to how we are to arrive at a relationship to the essence of technology, asked in this way, always comes too late. But never too late comes the question as to whether we actually experience ourselves as the ones whose activities everywhere, public and private, are challenged forth by Enframing. Above all, never too late comes the question as to whether and how we actually admit ourselves into that wherein Enframing itself comes to presence. + +The essence of modern technology starts man upon the way of that revealing through which the real everywhere, more or less distinctly, becomes standing-reserve. โ€œTo start upon a wayโ€ means โ€œto sendโ€ in our ordinary language. We shall call that sending-thatgathers [versammelde Schicken] which first starts man upon a way of revealing, destining [Geschick]. It is from out of this destining that the essence of all history [Geschichte] is determined. History is neither simply the object of written chronicle nor simply the fulfillment of human activity. That activity first becomes history as something destined. And it is only the destining into objectifying representation that makes the historical accessible as an object for historiography, that is, for a science, and on this basis makes possible the current equating of the historical with that which is chronicled. Enframing, as a challenging-forth into ordering, sends into a way of revealing. Enframing is an ordaining of destining, as is every way of revealing. Bringing-forth, poiฤ“sis, is also a destining in this sense. Always the unconcealment of that which is goes upon a way of revealing. Always the destining of revealing holds complete sway over man. But that destining is never a fate that compels. For man becomes truly free only insofar as he belongs to the realm of destining and so becomes one who listens and hears, and not one who is simply constrained to obey. + +The essence of freedom is originally not connected with the will or even with the causality of human willing. + +Freedom governs the open in the sense of the cleared and lighted up, i.e., of the revealed. It is to the happening of revealing, that is, of truth, that freedom stands in the closest and most intimate kinship. All revealing belongs within a harboring and a concealing. But that which freesโ€”the mysteryโ€”is concealed and always concealing itself. All revealing comes out of the open, goes into the open, and brings into the open. The freedom of the open consists neither in unfettered arbitrariness nor in the constraint of mere laws. Freedom is that which conceals in a way that opens to light, in whose clearing there shimmers that veil that covers what comes to presence of all truth and lets the veil appear as what veils. Freedom is the realm of the destining that at any given time starts a revealing upon its way. The essence of modern technology lies in Enframing. Enframing belongs within the destining of revealing. These sentences express something different from the talk that we hear more frequently, to the effect that technology is the fate of our age, where โ€œfateโ€ means the inevitableness of an unalterable course. + +But when we consider the essence of technology, then we experience Enframing as a destining of revealing. In this way we are already sojourning within the open space of destining, a destining that in no way confines us to a stultified compulsion to push on blindly with technology or, what comes to the same thing, to rebel helplessly against it and curse it as the work of the devil. Quite to the contrary, when we once open ourselves expressly to the essence of technology, we find ourselves unexpectedly taken into a freeing claim. + +The essence of technology lies in Enframing. Its holding sway belongs within destining. Since destining at any given time starts man on a way of revealing, man, thus under way, is continually approaching the brink of the possibility of pursuing and pushing forward nothing but what is revealed in ordering, and of deriving all his standards on this basis. Through this the other possibility is blocked, that man might be admitted more and sooner and ever more primally to the essence of that which is unconcealed and to its unconcealment, in order that he might experience as his essence his needed belonging to revealing. + +Placed between these possibilities, man is endangered from out of destining. The destining of revealing is as such, in every one of its modes, and therefore necessarily, danger. + +In whatever way the destining of revealing may hold sway, the unconcealment in which everything that is shows itself at any given time harbors the danger that man may misconstrue the unconcealed and misinterpret it. Thus where everything that presences exhibits itself in the light of a cause-effect coherence, even God can, for representational thinking, lose all that is exalted and holy, the mysteriousness of his distance. In the light of causality, God can sink to the level of a cause, of causa efficiens. He then becomes, even in theology, the god of the philosophers, namely, of those who define the unconcealed and the concealed in terms of the causality of making, without ever considering the essential origin of this causality. + +In a similar way the unconcealment in accordance with which nature presents itself as a calculable complex of the effects of forces can indeed permit correct determinations; but precisely through these successes the danger can remain that in the midst of all that is correct the true will withdraw. + +The destining of revealing is in itself not just any danger, but the danger. + +Yet when destining reigns in the mode of Enframing, it is the supreme danger. This danger attests itself to us in two ways. As soon as what is unconcealed no longer concerns man even as object, but does so, rather, exclusively as standing-reserve, and man in the midst of objectlessness is nothing but the orderer of the standing-reserve, then he comes to the very brink of a precipitous fall; that is, he comes to the point where he himself will have to be taken as standing-reserve. Meanwhile man, precisely as the one so threatened, exalts himself to the posture of lord of the earth. In this way the impression comes to prevail that everything man encounters exists only insofar as it is his construct. This illusion gives rise in turn to one final delusion: It seems as though man everywhere and always encounters only himself. Heisenberg has with complete correctness pointed out that the real must present itself to contemporary man in this way. In truth, however, precisely nowhere does man today any longer encounter himself, that is, his essence. Man stands so decisively in attendance on the challenging-forth of Enframing that he does not apprehend Enframing as a claim, that he fails to see himself as the one spoken to, and hence also fails in every way to hear in what respect he ek-sists, from out of his essence, in the realm of an exhortation or address, and thus can never encounter only himself. But Enframing does not simply endanger man in his relationship to himself and to everything that is. As a destining, it banishes man into that kind of revealing which is an ordering. Where this ordering holds sway, it drives out every other possibility of revealing. Above all, Enframing conceals that revealing which, in the sense of poiฤ“sis, lets what presences come forth into appearance. As compared with that other revealing, the setting-upon that challenges forth thrusts man into a relation to that which is, that is at once antithetical and rigorously ordered. Where Enframing holds sway, regulating and securing of the standing-reserve mark all revealing. They no longer even let their own fundamental characteristic appear, namely, this revealing as such. + +Thus the challenging Enframing not only conceals a former way of revealing, bringing-forth, but it conceals revealing itself and with it That wherein unconcealment, that is, truth, comes to pass. Enframing blocks the shining-forth and holding-sway of truth. The destining that sends into ordering is consequently the extreme danger. What is dangerous is not technology. There is no demonry of technology, but rather there is the mystery of its essence. The essence of technology, as a destining of revealing, is the danger. The transformed meaning of the word โ€œEnframingโ€ will perhaps become somewhat more familiar to us now if we think Enframing in the sense of destining and danger. + +The threat to man does not come in the first instance from the potentially lethal machines and apparatus of technology. The actual threat has already affected man in his essence. The rule of Enframing threatens man with the possibility that it could be denied to him to enter into a more original revealing and hence to experience the call of a more primal truth. + +Thus, where Enframing reigns, there is danger in the highest sense. + +But where danger is, grows The saving power also. + +Let us think carefully about these words of Hรถlderlin. What does it mean โ€œto saveโ€? Usually we think that it means only to seize hold of a thing threatened by ruin, in order to secure it in its former continuance. But the verb โ€œto saveโ€ says more. โ€œTo saveโ€ is to fetch something home into its essence, in order to bring the essence for the first time into its genuine appearing. If the essence of technology, Enframing, is the extreme danger, and if there is truth in Hรถlderlinโ€™s words, then the rule of Enframing cannot exhaust itself solely in blocking all lighting-up of every revealing, all appearing of truth. Rather, precisely the essence of technology must harbor in itself the growth of the saving power. But in that case, might not an adequate look into what Enframing is as a destining of revealing bring into appearance the saving power in its arising? + +In what respect does the saving power grow there also where the danger is? Where something grows, there it takes root, from thence it thrives. Both happen concealedly and quietly and in their own time. But according to the words of the poet we have no right whatsoever to expect that there where the danger is we should be able to lay hold of the saving power immediately and without preparation. Therefore we must consider now, in advance, in what respect the saving power does most profoundly take root and thence thrive even in that wherein the extreme danger lies, in the holding sway of Enframing. In order to consider this, it is necessary, as a last step upon our way, to look with yet clearer eyes into the danger. Accordingly, we must once more question concerning technology. For we have said that in technologyโ€™s essence roots and thrives the saving power. But how shall we behold the saving power in the essence of technology so long as we do not consider in what sense of โ€œessenceโ€ it is that Enframing is actually the essence of technology? Thus far we have understood โ€œessenceโ€ in its current meaning. In the academic language of philosophy, โ€œessenceโ€ means what something is; in Latin, quid. Quidditas, whatness, provides the answer to the question concerning essence. For example, what pertains to all kinds of treesโ€”oaks, beeches, birches, firsโ€”is the same โ€œtreeness.โ€ Under this inclusive genusโ€”the โ€œuniversalโ€โ€”fall all real and possible trees. Is then the essence of technology, Enframing, the common genus for everything technological? If that were the case then the steam turbine, the radio transmitter, and the cyclotron would each be an Enframing. But the word โ€œEnframingโ€ does not mean here a tool or any kind of apparatus. Still less does it mean the general concept of such resources. The machines and apparatus are no more cases and kinds of Enframing than are the man at the switchboard and the engineer in the drafting room. Each of these in its own way indeed belongs as stock-part, available resource, or executer, within Enframing; but Enframing is never the essence of technology in the sense of a genus. Enframing is a way of revealing having the character of destining, namely, the way that challenges forth. The revealing that brings forth (poiฤ“sis) is also a way that has the character of destining. But these ways are not kinds that, arrayed beside one another, fall under the concept of revealing. Revealing is that destining which, ever suddenly and inexplicably to all thinking, apportions itself into the revealing that brings forth and that also challenges, and which allots itself to man. The challenging revealing has its origin as a destining in bringing-forth. But at the same time Enframing, in a way characteristic of a destining, blocks poiฤ“sis. Thus Enframing, as a destining of revealing, is indeed the essence of technology, but never in the sense of genus and essentia. If we pay heed to this, something astounding strikes us: It is technology itself that makes the demand on us to think in another way what is usually understood by โ€œessence.โ€ But in what way? + +If we speak of the โ€œessence of a houseโ€ and the โ€œessence of a state,โ€ we do not mean a generic type; rather we mean the ways in which house and state hold sway, administer themselves, develop and decayโ€”the way in which they โ€œessenceโ€ [Wesen]. Johann Peter Hebel in a poem, โ€œGhost on Kanderer Street,โ€ for which Goethe had a special fondness, uses the old word die Weserei. It means the city hall inasmuch as there the life of the community gathers and village existence is constantly in play, that is, comes to presence. It is from the verb wesen that the noun is derived. Wesen understood as a verb is the same as wรคhren [to last or endure], not only in terms of meaning, but also in terms of the phonetic formation of the word. + +Socrates and Plato already think the essence of something as what essences, what comes to presence, in the sense of what endures. But they think what endures as what remains permanently (aei on). And they find what endures permanently in what, as that which remains, tenaciously persists throughout all that happens. That which remains they discover, in turn, in the aspect (eidos, idea), for example, the Idea โ€œhouse.โ€ + +The Idea โ€œhouseโ€ displays what anything is that is fashioned as a house. Particular, real, and possible houses, in contrast, are changing and transitory derivatives of the Idea and thus belong to what does not endure. + +But it can never in any way be established that enduring is based solely on what Plato thinks as idea and Aristotle thinks as to ti ฤ“n einai (that which any particular thing has always been), or what metaphysics in its most varied interpretations thinks as essentia. All essencing endures. But is enduring only permanent enduring? Does the essence of technology endure in the sense of the permanent enduring of an Idea that hovers over everything technological, thus making it seem that by technology we mean some mythological abstraction? The way in which technology essences lets itself be seen only from out of that permanent enduring in which Enframing comes to pass as a destining of revealing. Goethe once uses the mysterious word fortgewรคhren [to grant permanently] in place of fortwรคhren [to endure permanently].* He hears wรคhren [to endure] and gewรคhren [to grant] here in one unarticulated accord. And if we now ponder more carefully than we did before what it is that actually endures and perhaps alone endures, we may venture to say: Only what is granted endures. That which endures primally out of the earliest beginning is what grants. + +As the essencing of technology, Enframing is that which endures. Does Enframing hold sway at all in the sense of granting? No doubt the question seems a horrendous blunder. For according to everything that has been said, Enframing is, rather, a destining that gathers together into the revealing that challenges forth. Challenging is anything but a granting. So it seems, so long as we do not notice that the challenging-forth into the ordering of the real as standing-reserve still remains a destining that starts man upon a way of revealing. As this destining, the coming to presence of technology gives man entry into That which, of himself, he can neither invent nor in any way make. For there is no such thing as a man who, solely of himself, is only man. + +But if this destining, Enframing, is the extreme danger, not only for manโ€™s coming to presence, but for all revealing as such, should this destining still be called a granting? Yes, most emphatically, if in this destining the saving power is said to grow. Every destining of revealing comes to pass from out of a granting and as such a granting. For it is granting that first conveys to man that share in revealing which the coming-to-pass of revealing needs. As the one so needed and used, man is given to belong to the coming-to-pass of truth. The granting that sends in one way or another into revealing is as such the saving power. For the saving power lets man see and enter into the highest dignity of his essence. This dignity lies in keeping watch over the unconcealmentโ€”and with it, from the first, the concealment โ€”of all coming to presence on this earth. It is precisely in Enframing, which threatens to sweep man away into ordering as the supposed single way of revealing, and so thrusts man into the danger of the surrender of his free essenceโ€”it is precisely in this extreme danger that the innermost indestructible belongingness of man within granting may come to light, provided that we, for our part, begin to pay heed to the coming to presence of technology. + +Thus the coming to presence of technology harbors in itself what we least suspect, the possible arising of the saving power. Everything, then, depends upon this: that we ponder this arising and that, recollecting, we watch over it. How can this happen? Above all through our catching sight of what comes to presence in technology, instead of merely staring at the technological. So long as we represent technology as an instrument, we remain held fast in the will to master it. We press on past the essence of technology. When, however, we ask how the instrumental comes to presence as a kind of causality, then we experience this coming to presence as the destining of a revealing. + +When we consider, finally, that the coming to presence of the essence of technology comes to pass in the granting that needs and uses man so that he may share in revealing, then the following becomes clear: + +The essence of technology is in a lofty sense ambiguous. Such ambiguity points to the mystery of all revealing, that is, of truth. On the one hand, Enframing challenges forth into the frenziedness of ordering that blocks every view into the coming-topass of revealing and so radically endangers the relation to the essence of truth. + +On the other hand, Enframing comes to pass for its part in the granting that lets man endureโ€”as yet unexperienced, but perhaps more experienced in the futureโ€”that he may be the one who is needed and used for the safekeeping of the coming to presence of truth. Thus does the arising of the saving power appear. The irresistibility of ordering and the restraint of the saving power draw past each other like the paths of two stars in the course of the heavens. But precisely this, their passing by, is the hidden side of their nearness. + +When we look into the ambiguous essence of technology, we behold the constellation, the stellar course of the mystery. The question concerning technology is the question concerning the constellation in which revealing and concealing, in which the coming to presence of truth, comes to pass. But what help is it to us to look into the constellation of truth? We look into the danger and see the growth of the saving power. Through this we are not yet saved. But we are thereupon summoned to hope in the growing light of the saving power. How can this happen? Here and now and in little things, that we may foster the saving power in its increase. This includes holding always before our eyes the extreme danger. + +The coming to presence of technology threatens revealing, threatens it with the possibility that all revealing will be consumed in ordering and that everything will present itself only in the unconcealedness of standing-reserve. Human activity can never directly counter this danger. Human achievement alone can never banish it. But human reflection can ponder the fact that all saving power must be of a higher essence than what is endangered, though at the same time kindred to it. + +But might there not perhaps be a more primally granted revealing that could bring the saving power into its first shining forth in the midst of the danger, a revealing that in the technological age rather conceals than shows itself? There was a time when it was not technology alone that bore the name technฤ“. Once that revealing that brings forth truth into the splendor of radiant appearing also was called technฤ“. Once there was a time when the bringing-forth of the true into the beautiful was called technฤ“. And the poiฤ“sis of the fine arts also was called technฤ“. + +In Greece, at the outset of the destining of the West, the arts soared to the supreme height of the revealing granted them. They brought the presence [Gegenwart] of the gods, brought the dialogue of divine and human destinings, to radiance. And art was simply called technฤ“. It was a single, manifold revealing. It was pious, promos, i.e., yielding to the holding-sway and the safekeeping of truth. + +The arts were not derived from the artistic. Art works were not enjoyed aesthetically. Art was not a sector of cultural activity. What, then, was artโ€”perhaps only for that brief but magnificent time? Why did art bear the modest name technฤ“? Because it was a revealing that brought forth and hither, and therefore belonged within poiฤ“sis. It was finally that revealing which holds complete sway in all the fine arts, in poetry, and in everything poetical that obtained poiฤ“sis as its proper name. + + +The same poet from whom we heard the words: +But where danger is, grows +The saving power also. + +says to us: +โ€ฆ poetically dwells man upon this earth. + +The poetical brings the true into the splendor of what Plato in the Phaedrus calls to ekphanestaton, that which shines forth most purely. The poetical thoroughly pervades every art, every revealing of coming to presence into the beautiful. + +Could it be that the fine arts are called to poetic revealing? Could it be that revealing lays claim to the arts most primally, so that they for their part may expressly foster the growth of the saving power, may awaken and found anew our look into that which grants and our trust in it? + +Whether art may be granted this highest possibility of its essence in the midst of the extreme danger, no one can tell. Yet we can be astounded. Before what? Before this other possibility: that the frenziedness of technology may entrench itself everywhere to such an extent that someday, throughout everything technological, the essence of technology may come to presence in the coming-to-pass of truth. + +Because the essence of technology is nothing technological, essential reflection upon technology and decisive confrontation with it must happen in a realm that is, on the one hand, akin to the essence of technology and, on the other, fundamentally different from it. + +Such a realm is art. But certainly only if reflection on art, for its part, does not shut its eyes to the constellation of truth after which we are questioning. + +Thus questioning, we bear witness to the crisis that in our sheer preoccupation with technology we do not yet experience the coming to presence of technology, that in our sheer aesthetic-mindedness we no longer guard and preserve the coming to presence of art. Yet the more questioningly we ponder the essence of technology, the more mysterious the essence of art becomes. + +The closer we come to the danger, the more brightly do the ways into the saving power begin to shine and the more questioning we become. For questioning is the piety of thought. + -- cgit v1.2.3