| Commit message (Collapse) | Author | Age | Files | Lines |
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The kit entered digits three ways and text no way at all, so the panels that need a WiFi password had nothing to reach for. R57 takes free alphanumeric text. A-Z is laid out alphabetically rather than QWERTY, the industrial convention wherever the operator isn't assumed to touch-type, and what makes this a faceplate instead of a keyboard.
I followed two reference plates and departed from both, arguing each departure at its site. Their letters are blue and the kit has no blue control colour, so letters take the standard pale cap and digits a darker one: the photos' two-tone grouping without the foreign hue. Letters sit left and digits right so the alphabet reads down one unbroken block. With the digits on the left it stops column-aligning with itself halfway down.
DEL is new, because without a backspace one mistyped character costs the whole entry. It sits beside the digits in amber while CLR is exiled to the corner in red. DEL is constant and costs a character, CLR is rare and costs everything, so the safe key gets the good spot and the colour grades the cost before the legend is read. CANCEL is gone: on a plate that is the whole terminal it has a transaction to abandon, but here it did exactly what CLR does.
The window draws spaces as ␣. SVG collapses whitespace, and past the truncation boundary there are no pad dots left for a space to displace, so SPACE was a keypress with no feedback at all. The buffer keeps the real character.
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Console keys read SCAN before LIVE, and LIVE is green. The palette already defines --pass as "run lamps, gear greens, monitor bars, LIVE lamps", so the widget contradicted the language it draws from. Its note asserted the old colours too. The per-key `red` boolean became a `tone` field, since a boolean can't express three states.
The slide toggle gains red and warn on its `on` axis, so the engaged state can be the notable one (mute, record, airplane mode). Red was reachable only on the `off` axis before, which paints the disengaged state: the opposite claim. A new onText axis makes the ON ink reachable at all. `on` had bundled background and ink together, so "dark pill, green legend" couldn't be expressed.
Presets name a combination (panel, run, armed, caution, dark), which is what a consumer reaches for. The axes are how one gets built.
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The committed probes asserted the pre-sprint gallery: default size 3 (now 2/M since 16da33e) and five .famchips rows (card 01's option capsules reuse the class, so six exist). The zoom test now clicks 3x explicitly instead of assuming it as the default, and the family count filters to rows labeled 'screen' so future option-group cards don't break it.
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The full-regression and screen-family probes lived in session scratch; the widgets.js extraction uses them as its per-batch no-regression gate, so they become repo tooling.
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